A swashbuckling postcolonial adventure story full of humour, mystery and scandal
Prologue
It was so cold that the trees were cracking, and Paris was mourning the death of Molière. For several days, card games were played with less enthusiasm than usual: winners celebrated less ostentatiously, and those who had lost their life savings were less inclined to leap into the Seine. Pike was served in only 13 different ways instead of 17, turkey in nine, and crayfish in merely five. In Molière’s favourite restaurant, Des Bons Enfants, a group of actors dressed in black velvet took turns performing scenes from his comedies, wept, and wondered what would happen at the funeral: priests refused to administer last rites and a Catholic burial, for not only had the deceased not renounced the theatre before his death, but he had even died onstage – thus damning his soul for eternity. Now the decision concerning whether to grant him the sacraments lay in the hands of the king, who disliked rushing into things and preferred to mull over such matters at length.
The Franco-Dutch War was waiting calmly under the blanket for the ice to release Amsterdam from its embrace so that everyone could resume pummelling each other over a long-forgotten cause. Pickpockets, libertines, ruffians, thugs, philanderers, pimps, professional beggars, vagrants, wounded soldiers, whores and bankers kept themselves busy with all manner of shady dealings. Policemen were freezing; priests were not. Despite the chilly weather, Master Stefan, the former coachman of Monsieur de Verthamon, stood on the Pont Neuf, singing satirical songs in front of the equestrian statue of King Henry IV: about Molière’s final exit from the stage, the bankruptcy of Louis XIV’s East India Company, frozen Parisians, the vogue for turkey curls and sable stoles, Luxembourg’s defeat of the coalition, a tragic death whilst emptying a chamber pot, and the abduction of sixteen women from a poorhouse.
Part One
The Northern Hemisphere
In accordance with an elaborate plan, they were kidnapped in the morning, in full view of random passersby and the staff, as if to prove the power of the Company. The 16 women were taken from the Pitié-Salpêtrière Hospital on the left bank of the Seine at the request of the governor of a remote island, with the knowledge of almighty Colbert and the approval of King Louis XIV, on a day as cold as the hearts of those who, when the clock struck nine, entered from Saint Victor Street, named after the patron saint of Marseille. It wasn’t southward towards Marseille, however, that the women were taken – but westward. With very little protest and a visible sense of relief, as if they’d been waiting for this to happen or had been longing for it more than anything else in the world, they allowed themselves to be put in chains and led to the boat that was waiting for them.
Three soldiers belonging to Louis XIV’s East India Company marched at both the front and rear of the column. They were young boys who had recently been unemployed or were freshly discharged from military service. They had enlisted in Colbert’s small army in the hope of a steady wage and perhaps also an extraordinary adventure on the high seas, for they’d heard tales of officers becoming so rich in the colonies that their ships, overloaded with treasure, sank on the return voyage or fell prey to pirates. They dreamed of skirmishes with Spanish corsairs and glorious victories – or at the very least, a soldier’s honourable death. Instead, they were being used as guards: escorting women who had been rounded up on the streets of Paris to the poorhouse, and from the poorhouse to a boat that would set sail toward the Pont Rouge on the other side of the city.
Translated by Scotia Gilroy
A swashbuckling postcolonial adventure story full of humour, mystery and scandal
Sixteen of Bourbon Island is a gripping novel that begins in the year 1673 when, on the orders of King Louis XIV, 16 women are taken from the Salpetriere Hospital in Paris – a workhouse for women deemed ‘undesirable’ by society – and sent to Bourbon to marry French colonists and populate the island. Bartosz Sadulski blends historical facts with satire, magical realism, and a sober critique of imperialism to create what he has called ‘a postcolonial, feminist cloak-and-dagger novel’.
The ship sets sail with its cargo of women and barrels of brandy on an epic voyage that passes through the Canary Islands and Madagascar. The vessel’s cast of characters includes a despotic captain, an eccentric missionary with utopian dreams, a suspected heretic, a girl rumoured to have died in 1661, and a diabolical cat whose presence hints at uncanny forces onboard. Despite the 16 women’s diverse backgrounds, solidarity emerges through their shared experiences during the perilous voyage. Ultimately, only a few will reach the island to begin new lives.
Although carefully researched and based on real events, Sixteen of Bourbon Island is not a classic historical novel. Its digressive narrative structure is reminiscent of One Thousand and One Nights, and it has been compared stylistically to postmodern works by writers such as Thomas Pynchon and John Barth. Above all, it presents a solid critique of gendered violence and colonial exploitation in which bodies were treated like currency, while raising questions about whose voices are ultimately heard in the telling of history.
Scotia Gilroy
Selected samples
She climbed her first peaks in a headscarf at a time when women in the mountains were treated by climbers as an additional backpack. It was with her that female alpinism began! She gained recognition in a spectacular way. The path was considered a crossing for madmen. Especially since the tragic accident in 1929, preserved … Continue reading “Halina”
First, Marysia, a student of an exclusive private school in Warsaw’s Mokotów district, dies under the wheels of a train. Her teacher, Elżbieta, tries to find out what really happened. She starts a private investigation only soon to perish herself. But her body disappears, and the only people who have seen anything are Gniewomir, a … Continue reading “Wound”
A young girl, Regina Wieczorek, was found dead on the beach. She was nineteen years old and had no enemies. Fortunately, the culprit was quickly found. At least, that’s what the militia think. Meanwhile, one day in November, Jan Kowalski appears at the police station. He claims to have killed not only Regina but also … Continue reading “Penance”
The year is 1922. A dangerous time of breakthrough. In the Eastern Borderlands of the Republic of Poland, Bolshevik gangs sow terror, leaving behind the corpses of men and disgraced women. A ruthless secret intelligence race takes place between the Lviv-Warsaw-Free City of Gdańsk line. Lviv investigator Edward Popielski, called Łysy (“Hairless”), receives an offer … Continue reading “A Girl with Four Fingers”
This question is closely related to the next one, namely: if any goal exists, does life lead us to that goal in an orderly manner? In other words, is everything that happens to us just a set of chaotic events that, combined together, do not form a whole? To understand how the concept of providence … Continue reading “Order and Love”
The work of Józef Łobodowski (1909-1988) – a remarkable poet, prose writer, and translator, who spent most of his life in exile – is slowly being revived in Poland. Łobodowski’s brilliant three- volume novel, composed on an epic scale, concerns the fate of families and orphans unmoored by the Bolshevik Revolution and civil war and … Continue reading “Ukrainian Trilogy: Thickets, The Settlement, The Way Back”