A Sebaldian stroll through little-known layers of Warsaw’s past and present and a meditation on what it means to remember
A light, persistent rain was falling. The grey sky had deprived the city of its colours, as if there’d been no sun or cheerful Sunday crowds in Saska Kępa a dozen or so hours earlier. Maybe even as if they’d never existed. A pigeon stopped by one of the slowly forming puddles. Its head, motionless for a moment, was reflected in the murky water, and almost instantly I imagined a country whose coat of arms this would be: a two-headed grey pigeon. It would have to be small, like Lichtenstein or Luxembourg, but of course not as prosperous. A churlish little Slavic country with winters, taxes and a cuisine abounding in offal. In my mind, it resembled the Warsaw district of Targówek Fabryczny from 30 years ago, though I hadn’t been there in such a long time that its existence was as uncertain to me as that of this hypothetical country. The prevailing ideology would be deep pigeonism, and on national holidays one of the citizens, named Bogdan or Mieczysław, would chase away birds by waving a pole with a flag bearing the coat of arms, so that the shadow of the moving flock could fall on Dziewanna Street, and on Siarczana and Ciemna Streets. And only after even the smallest alley had been touched by the grey shadow would people start firing cap guns and cork guns and setting off firecrackers and rolling out barrels of beer, and someone would give a speech, but nobody would pay much attention because the cooing would drown out half the words anyway. This country – Targówek Fabryczny – would share a border with the district of Utrata, or Loss, just as it does today, but the latter would be Loss not only in name. It would be home to human and bird cemeteries – alternating rows of small and large gravestones.
I sat down in a café and thought about writing. Old-fashioned writing by hand. About the signals that travel inside the body from the brain to the muscles and tendons in order for words to appear on a page. About how these signals shoot down the median and ulnar nerves at incredible speeds. Just at that moment, and almost as fast, a man marched past the café windows. He marched – that was it exactly. Briskly, with a sort of stiff grace, as if he were a serviceman or a diplomat. He was wearing a torn jean jacket, and his feathery mop of hair bounced with his every springy step. He could be none other than the ambassador of the pigeon country on an ostensibly important but in fact ludicrous mission. I couldn’t see his shoes, but I would’ve bet that they were speckled with bird droppings and that his pockets were overflowing with grain, yellow split peas and the seeds of safflower, whose flowers pretend to be saffron. And as he walked, his pockets sounded like rattles – such was this general’s march. In keeping with the custom of his homeland’s high-ranking officials, he no doubt had these words from Isaiah tattooed in his groin: ‘Like a swallow I chirp; I moan like a dove.’ I was almost ready to follow him, to try to find out what had brought him to these parts, but he disappeared before I had time to make all of this up. Yet a moment later he had turned around and was standing facing the café window. I was so surprised that for a second my thoughts got tangled in a shapeless knot. But he wasn’t looking at me; he was looking at a woman farther inside, engrossed in her phone. He gazed at her as if he’d known her years earlier and had just seen her profile by chance as he paraded past with that ceremonial march of his, and suddenly some memory made him stop and turn back. Of course, our Warsaw pigeons immediately began circling around his feet, sensing who he really was.
Translated by Eliza Marciniak
A Sebaldian stroll through little-known layers of Warsaw’s past and present and a meditation on what it means to remember
The narrator of Paweł Sołtys’s autobiographical novella spends a hot August in Warsaw, sitting in cafés, walking, taking trams and buses, reading, writing by hand in his notebook (‘an anachronistic whim’) and exploring places off the beaten track – as well as those that no longer exist or have never existed. Past, present and fiction blend together in this engrossing, hypnotic narrative that one critic has called ‘an act of defiance against existential despair’.
A compassionate flâneur, the narrator observes Warsaw’s ordinary yet colourful inhabitants but also searches for ways to access the past. He visits forgotten memorials, wanders outside a former prison, peeks into churches and walks down streets that are no longer there.
Erudite and eclectic in his interests, he reads books bought in second-hand bookshops, which often trigger unexpected trains of thought or memories – including that of his 1998 trip to Ukraine and images from his childhood, such as the texture of his grandmother’s hands or his mother playing the piano. In both subject matter and approach, August recalls the work of WG Sebald, except that Sołtys is not making a journey but walking down streets he knows like the back of his hand, peeling back the layers of history of which few are aware.
Suffused with melancholy and the awareness that one cannot escape the present, August is written in Sołtys’s highly concentrated style. Thoughtful and haunting, this short but substantial book will appeal to readers of reflective, poetic literary fiction.
Eliza Marciniak
Selected samples
She climbed her first peaks in a headscarf at a time when women in the mountains were treated by climbers as an additional backpack. It was with her that female alpinism began! She gained recognition in a spectacular way. The path was considered a crossing for madmen. Especially since the tragic accident in 1929, preserved … Continue reading “Halina”
First, Marysia, a student of an exclusive private school in Warsaw’s Mokotów district, dies under the wheels of a train. Her teacher, Elżbieta, tries to find out what really happened. She starts a private investigation only soon to perish herself. But her body disappears, and the only people who have seen anything are Gniewomir, a … Continue reading “Wound”
A young girl, Regina Wieczorek, was found dead on the beach. She was nineteen years old and had no enemies. Fortunately, the culprit was quickly found. At least, that’s what the militia think. Meanwhile, one day in November, Jan Kowalski appears at the police station. He claims to have killed not only Regina but also … Continue reading “Penance”
The year is 1922. A dangerous time of breakthrough. In the Eastern Borderlands of the Republic of Poland, Bolshevik gangs sow terror, leaving behind the corpses of men and disgraced women. A ruthless secret intelligence race takes place between the Lviv-Warsaw-Free City of Gdańsk line. Lviv investigator Edward Popielski, called Łysy (“Hairless”), receives an offer … Continue reading “A Girl with Four Fingers”
This question is closely related to the next one, namely: if any goal exists, does life lead us to that goal in an orderly manner? In other words, is everything that happens to us just a set of chaotic events that, combined together, do not form a whole? To understand how the concept of providence … Continue reading “Order and Love”
The work of Józef Łobodowski (1909-1988) – a remarkable poet, prose writer, and translator, who spent most of his life in exile – is slowly being revived in Poland. Łobodowski’s brilliant three- volume novel, composed on an epic scale, concerns the fate of families and orphans unmoored by the Bolshevik Revolution and civil war and … Continue reading “Ukrainian Trilogy: Thickets, The Settlement, The Way Back”