Non-fiction
Andrzej Dybczak
Las duchów

A novel-like reportage that offers a poignant account of Siberia’s dying indigenous cultures

‘We had a very strong grandfather who lived right here, in this clearing. His name was Porpey Ira. Do you know what that means?’

‘No, what?’

‘Man of the spirits,’ she said, lowering her voice. ‘Do you realise who he was?’

‘A tetypy, a shaman.’

‘Yes,’ she said, nodding.

At the head of the bed lay a rolled-up checked blanket. She reached for it and covered herself up to the neck, making herself invisible.

‘In the local forests they feared him like the plague. Worse! That’s why they gave him a nickname. Do you know what it was?’

Pyungeze – the Giant,’ I guessed.

She was amazed.

‘He said he was immortal. He could stick a knife in his own chest and go on laughing and talking.’

‘But he died?’

‘Yes.’ She hesitated, as if she’d wanted to add something but thought better of it.

‘Those were his things? The items you took to the museum ten years ago?’ I asked quietly. Matriona exploded.

‘Awful things! Complete shit! What the hell? You saw for yourself what junk it was! A chipped cup, a leaky saucepan, some torn rags and some beads. And a piece of wire. All in a moulding old bag hanging by…’

‘By his grave?’

‘Where else?! No drum, no costume, nothing. Do you know what a hard time I had persuading that stupid woman in charge of the cultural department that those things had any value? That they were sacred? Unique items! Only my brother knew where it was. Over there, in the gully.’

She waved towards the window.

‘He took us there. Afterwards he regretted it.’

‘Why?’ I asked.

She turned her head away.

‘There weren’t even any figurines. Like your ones. Or any other devils. Nothing. And you’re asking me what those figurines of yours are? I’ll tell you now, officially: fuck knows! Did you really think you’d learn that from me? I don’t know, I’m a nurse by training. What did you expect? Did you think I was omniscient? Man, look around you, we don’t know that sort of thing anymore. We’re civilised people. I studied in Saint Petersburg! They taught us how to recognise spies there.’ […]

‘We haven’t any water. I’ll go and get some,’ I said, and grabbed a bucket.

Snow was getting into the vestibule through gaps between the boards, covering everything in there in a coat of white dust. I pushed the warped door. Outside there was far more of it. I felt as if I had crossed into another room, just a bigger one. Dense but fine snow was falling. The torchlight softly dissolved among the snowflakes and was gone without encountering any obstacles. I couldn’t see a thing, just a black void whichever way I looked. No sign of our arrival here. No marks left by sledges, caterpillar tracks or anything you could follow to get out of here. And not get lost.

This could be useful advice for anyone: before you bid farewell to someone who has spent the past two days driving you across the forest by snow scooter, make sure of two things: first of all that the householder you’ve come to visit is at home, and secondly that the person who took you there will be back to fetch you in a couple of days’ time. Otherwise he goes off, thinking everything’s all right. The whole world will think everything’s all right, and no one will look for you.

I bent down to pick up an axe resting against a chopping block. It was rusty, with a broken handle. A piece of trash. I was led to the stream hidden behind a clump of bushes by pure instinct and the memory of a well-trodden path I had noticed just after arriving. The stream ran at the bottom of a shallow dip, now covered, like everything else, by a shapeless coating of snow and ice. But in the middle was a blowhole. Frozen over. When was the last time anyone had fetched water here? Three, four or five days ago? I whacked the ice with the axe head, cursing aloud, until there was a splash of black water. As I filled the bucket, I felt uneasy; now and then I looked up, as if afraid that at any moment somebody would loom over me and ask: ‘Who gave you permission to drink from my stream? Hand over your soul in exchange!’ or something of the kind. But there was no one. Even so, I wanted to be indoors right now, as if the tumbledown shack with the crooked door was sure to guarantee me protection. At least it would shield me from the snow and the cold. And that was something.

 

Translated by Antonia Lloyd-Jones

Non-fiction
Andrzej Dybczak
Las duchów

A novel-like reportage that offers a poignant account of Siberia’s dying indigenous cultures

Publisher: Nisza, 2024
Translation rights: Krystyna Bratkowska, nisza125@gmail.com

This travel reportage, which won the 2025 Ryszard Kapusciński Prize, presents two journeys made to remote Siberia by ethnographer Andrzej Dybczak. His travels establish the origin and purpose of artefacts from Kraków’s Ethnographic Museum, providing a platform for indigenous peoples to reveal their history.

In ‘Forest of the Spirits’, Dybczak seeks the Selkup people, who might explain two doll-like figures which he takes to be shamanic tools. His dangerous journey through increasingly remote settlements includes a near-fatal helicopter crash and encounters with suspicious locals who mistake him for a spy. Through persistence and conversations with a variety of characters, he gradually uncovers the figures’ significance.

In ‘Girl from the North Country’, Dybczak goes to the Nenets Autonomous Republic to research clothing sewn from furs, including wolverine, an animal with sinister spiritual significance. Through fragmentary information gathered mostly from native women, he reconstructs the probable story of the Polish exiles who brought home these items.

Beyond uncovering the mysteries behind the museum artefacts, Dybczak documents how the tsarist and Soviet regimes – and alcohol – have destroyed the culture of indigenous reindeer-herding tribes. Their shamanic rites have been replaced by Orthodox Christianity and former nomadic herders now live in city apartments and work for the corporation exploiting their land for gas and oil. Yet the author also finds people preserving traditional crafts, old beliefs, and folk songs in a dying language.

Illustrated by line drawings of the objects, Forest of the Spirits is a sad account of a world that is rapidly becoming extinct. It is beautifully written, often reading more like a novel than non-fiction.

Antonia Lloyd-Jones

Selected samples

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Szczepan Twardoch
Andrzej Dybczak
Dorota Masłowska
Bartosz Sadulski
Łukasz Orbitowski
Paweł Sołtys
Paweł Rzewuski
Joanna Wilengowska
Wojciech Śmieja
Katarzyna Sobczuk
Jakub Nowak
Weronika Murek
Marta Michalak
Weronika Mathia
Ziemowit Szczerek
Artur Domosławski
Agata Puwalska
Piotr Janicki
Kasper Pfeifer
Maria Cyranowicz
Antonina Tosiek
Anouk Herman
Krzysztof Siwczyk
Robert Rybicki
Przemysław Suchanecki
Jakub Sęczyk
Małgorzata Rejmer
Anna Cieplak
Grzegorz Bogdał
Natalka Suszczyńska
Joanna Kuciel-Frydryszak
Aleksandra Tarnowska
Mateusz Żaboklicki
Elżbieta Łapczyńska
Mateusz Górniak
Agnieszka Jelonek
Ishbel Szatrawska
Marta Hermanowicz
Filip Matwiejczuk
Anna Świrszczyńska
Mirka Szychowiak
Justyna Kulikowska
Urszula Kozioł
Kamila Janiak
Urszula Honek
Zuzanna Ginczanka
Darek Foks
Monika Muskała
Kacper Bartczak
Justyna Bargielska
Maciej Robert
Michał Książek
Andrzej Chwalba
Renata Lis
Andrzej Stasiuk
Julia Łapińska
Kajetan Szokalski
Aleksandra Koperda
Łukasz Krukowski
Adam Kaczanowski
Julita Deluga
Wojtek Wawszczyk, Tomasz Leśniak
121344
Anna Kańtoch
Andrzej Bobkowski
Wisława Szymborska
Zdzisław Kranodębski
Andrzej Nowak
Wiesław Myśliwski
Jarosław Jakubowski
Anna Piwkowska
Roman Honet
Miłosz Biedrzycki
Wojciech Chmielewski
Aleksandra Majdzińska
Tomasz Różycki
Maciej Hen
Jakub Nowak
Elżbieta Cherezińska
歐菈·沃丹斯卡-波欽斯卡(Ola Woldańska-Płocińska)
作者:沃伊切赫·維德瓦克(Wojciech Widłak), 插圖:亞歷珊德拉·克珊諾夫斯卡(Aleksandra Krzanowska)
文字:莫妮卡·烏特尼-斯特魯加瓦(Monika Utnik-Strugała), 概念和插圖:皮歐特·索哈(Piotr Socha)
作者:亞格涅絲卡·斯特爾馬什克(Agnieszka Stelmaszyk)
尤安娜·日斯卡(Joanna Rzyska)、阿嘉妲·杜德克(Agata Dudek)、瑪格熱妲·諾瓦克(Małgorzata Nowak) Druganoga出版社,華沙2021
艾麗莎·皮歐特夫斯卡(Eliza Piotrowska)
米科瓦伊·帕辛斯基(Mikołaj Pasiński)、瑪格熱妲·赫爾巴(Gosia Herba)
歐菈·沃丹斯卡-波欽斯卡(Ola Woldańska-Płocińska)
瑪麗安娜·奧克雷亞克(Marianna Oklejak)
拉法爾·科希克(Rafał Kosik)
亞歷珊德拉·沃丹斯卡-波欽斯卡(Aleksandra Woldańska-Płocińska)
巴托米耶·伊格納邱克(Bartłomiej Ignaciuk), 阿嘉塔·洛特-伊格納邱克(Agata Loth-Ignaciuk)
文字和插圖:皮歐特·卡爾斯基(Piotr Karski)
文字和插圖:皮歐特·卡爾斯基(Piotr Karski)
羅珊娜·延澤耶夫斯卡-弗魯貝爾 (Roksana Jędrzejewska-Wróbel)
作者:普舎米斯瓦夫·維赫特洛維奇(Przemysław Wechterowicz) 插圖:艾米莉·吉烏巴克(Emilia Dziubak)
尤斯提娜·貝納雷(Justyna Bednarek) 插圖:丹尼爾·德拉圖爾(Daniel De Latour)
尤安娜·巴托西克(Joanna Bartosik)
瑪格熱妲·斯文多夫斯卡(Małgorzata Swędrowska)、尤安娜·巴托西克(Joanna Bartosik)
Jan Kochanowski
Jarosław Marek Rymkiewicz
Olga Tokarczuk
Władysław Stanisław Reymont
An Ancient Tale
Stanisław Rembek
Elżbieta Cherezińska
Henryk Sienkiewicz
Maria Dąbrowska
Stefan Żeromski
Bronisław Wildstein
Zbigniew Herbert / Wisława Szymborska
Karol Wojtyła
Wiesław Myśliwski
Czesław Miłosz
Anna Świrszczyńska / Melchior Wańkowicz
Tadeusz Borowski / Gustaw Herling-Grudziński
Wiesław Helak
Góra Tabor
Adriana Szymańska
Paweł Rzewuski
Mariusz Staniszewski
Staniszewski_Kartel
Radek Rak
Agla
Urszula Honek
Honek
Kazimierz Orłoś
Orlos
Rafał Wojasiński
Tefil
Antonina Grzegorzewska
Grzegorzewska_drama
Józef Mackiewicz
Mackiewicz_Sprawa
Tobiasz Piątkowski, Marek Oleksicki
Piatkowski_Oleksicki_Ekspozytura
Daniel Odija
Bronisław Wildstein
Józef Mackiewicz
Mackiewicz_Droga
Józef Mackiewicz
Mackiewicz_Bunt-rojstow
Witold Szabłowski
Szablowski_Rosja-od-kuchni
Andrzej Muszyński
Muszynski_Dom-ojcow
Wiesław Helak
Helak
Bartosz Jastrzębski
Jastrzebski_Dies-irae
Dariusz Sośnicki
Sośnicki_Po-domu
Łukasz Orbitowski
Orbitowski_chodz
Jakub Małecki
Malecki_SO
אנדז'יי ספקובסקי
Elżbieta Cherezińska
Wiesław Myśliwski
Jakub Małecki
Aleksandra Lipczak
Jacek Dukaj
Wit Szostak
Bartosz Biedrzycki
Zyta Rudzka
Maciej Płaza
Wojciech Chmielewski
Paweł Huelle
Przemysław "Trust" Truściński
Angelika Kuźniak
Wojciech Kudyba
Michał Protasiuk
Stanisław Rembek
Rembek
Krzysztof Karasek
Elżbieta Isakiewicz
Artur Daniel Liskowacki
Jarosław Jakubowski
Zbigniew Stawrowski
Szczepan Twardoch
Wojciech Chmielarz
Robert Małecki
Zygmunt Miłoszewski
Anna Piwkowska
Dominika Słowik
Wojciech Chmielewski
Barbara Banaś
Rafał Mikołajczyk
Jerzy Szymik
Waldemar Bawołek
Julia Fiedorczuk
Jakub Szamałek
Witold Szabłowski
Jacek Dukaj
Grzegorz Górny, Janusz Rosikoń
Paweł Piechnik
Andrzej Strumiłło

69

Marta Kwaśnicka
Piotr Mitzner
Paweł Sołtys
Wacław Holewiński
Anna Potyra
Wiesław Helak
Urszula Zajączkowska
Marek Stokowski
Stokowski
Hubert Klimko-Dobrzaniecki
HKD
Jakub Małecki
Malecki_Horyzont
Łukasz Orbitowski
Orbitowski
Małgorzata Rejmer
Rejmer
Rafał Wojasiński
Olanda
Wojciech Kudyba
Kudyba
Włodzimierz Bolecki
Bolecki
Jerzy Liebert
Liebert
Wojciech Zembaty
Zembaty
Wojciech Chmielarz
Chmielarz
Bogdan Musiał
Musiał
Joanna Siedlecka
Siedlecka
Krzysztof Tyszka-Drozdowski
Drozdowski
Jarosław Marek Rymkiewicz
Marek Bieńczyk
Bienczyk
Leszek Elektorowicz
Elektorowicz
Adrian Sinkowski
Sinkowski
Szymon Babuchowski
Babuchowski
Lech Majewski
Majewski
Weronika Murek
Murek
Agnieszka Świętek
Swietek
Stanisław Szukalski
Barbara Klicka
Klicka
Anna Kamińska

She climbed her first peaks in a headscarf at a time when women in the mountains were treated by climbers as an additional backpack. It was with her that female alpinism began! She gained recognition in a spectacular way. The path was considered a crossing for madmen. Especially since the tragic accident in 1929, preserved … Continue reading “Halina”

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Ks. Tomasz Stępień

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Jakub Małecki
Szczepan Twardoch
Wiesław Helak
Maria Wilczek-Krupa
Anna Kańtoch
Rafał Kosik
Paweł Sołtys
Dorota Masłowska
Wiesław Myśliwski
Martyna Bunda
Olga Tokarczuk
Various authors
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Waldemar Bawołek
Marek Oleksicki, Tobiasz Piątkowski
Wojciech Tomczyk
Urszula Zajączkowska
Marzanna Bogumiła Kielar
Ks. Robert Skrzypczak
Bronisław Wildstein
Anna Bikont
Magdalena Grzebałkowska
Wojciech Orliński
Klementyna Suchanow
Andrzej Franaszek
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Marian Sworzeń
Aleksandra Wójcik, Maciej Zdziarski
Józef Łobodowski

The work of Józef Łobodowski (1909-1988) – a remarkable poet, prose writer, and translator, who spent most of his life in exile – is slowly being revived in Poland. Łobodowski’s brilliant three- volume novel, composed on an epic scale, concerns the fate of families and orphans unmoored by the Bolshevik Revolution and civil war and … Continue reading “Ukrainian Trilogy: Thickets, The Settlement, The Way Back”

Piotr Zaremba
Wacław Holewiński
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