Non-fiction
Artur Domosławski
Rewolucja nie ma końca

Latin American society presented through a blend of intimate portraits, autobiography and micro-histories

On 1 April 1964, there was an anti-communist coup d’état in Brazil. Rubem [who was a communist activist] went underground, in the strict sense: he hid. For the anti-communists in uniform, and for those in civilian dress too, he was a ‘subversive’. Some of his friends scattered around the world. One of them, Pedro Celso Cavalcanti, went to Chile, and there – thanks to Polish contacts – he got himself a scholarship to study at Warsaw University.

One day Rubem got a message from Pedro, who had spoken to a bigwig in Warsaw, and this important person had promised to take in one more comrade.

The bigwig was Adam Schaff, a leading ideologue for the Polish United Workers’ Party, Marxist philosopher and Warsaw University professor. What a stroke of luck!

People from the Communist Party helped Rubem to get the right documents, and his father paid for a ticket to Paris. Only there did Rubem apply for a Polish visa – on a separate page, so there would be no evidence of contact with the communist world in his passport.

Rubem was thrilled by Warsaw, especially the opportunity to study humanities at the university. He became familiar with some new names: Leszek Kołakowski, Bronisław Baczko, Zygmunt Bauman and Jerzy Szacki. These brilliant men’s lectures were attended by crowds of students and prompted lively debate. This Poland was wonderful!

The indigence of the Gomułka era made no impression on Rubem – he had seen greater poverty in Brazil.

For the first time in his life he felt as if he had landed at the heart of History. And that he – coming from a country with no History (which wasn’t true, of course) – had become part of it. He soon found his way around the city, still partly destroyed following the war. He lived on the site of the former ghetto.

One day, at a class on Marxism, Schaff introduced the new students. ‘These are our comrades from Brazil,’ he said. A chill wafted through the room. Rubem couldn’t understand why the Polish students took such a dim view of their Brazilian colleagues, sorry, comrades; they pretty much shunned them.

‘It took me a while to realise that Schaff, our protector, who was open and loyal toward us Brazilians, was for our Polish fellow students the embodiment of the system, its intellectual face, of course. He could prove anything. He said that culture only makes sense within Marxism. He liked arguments. We found all this very pleasing.’

The historian Marcin Kula, then a student of history and sociology, remembers that Rubem and several other Brazilian refugees hovered between philosophy and sociology at the university, where revisionist thinking was flourishing, and the Main School of Planning and Statistics (SGPiS), where the lecturers included Ignacy Sachs and Michał Kalecki, who were left-wing economists, but at the same time were far from Party dogmatism.

‘It was a time when many people were losing their illusions about Gomułka, so our friends from Brazil were hearing a lot of complaints about socialism every day of the week,’ recalls Kula.

The breakthrough in relations between the Polish students and ‘our comrades from Brazil’ came on the day when Rubem and Pedro gave a lecture about communists in Latin America, which was both critical and witty. That broke the ice – now the Polish students were open to the experience of the Brazilian communists and started making friends with them.

‘The Comrades from Brazil’ began to look toward the ‘commandos’, the student dissidents who for some time had been causing trouble at lectures (from their company Rubem remembers the names Adam Michnik, Seweryn Blumsztajn and Irena Lasota). They visited Jacek Kuroń shortly after he came out of prison for jointly writing the critical ‘Open Letter to the Party’.

The student rebellion of March 1968 was just around the corner.

For Rubem and his comrades, the March earthquake had a prelude of a completely different nature than for all the others, nothing to do with anti-semitism, or the fight for freedom of speech and culture. Schaff invited him and several other Brazilians to his home. The young idealists from the antipodes were amazed by the large apartment – beautiful, with old furniture, truly bourgeois splendour. At some point Schaff rang a little bell and into the sitting room came a housemaid.

‘That was a shock!’ another person who was present that night told me. ‘Servants at the home of a Communist Party ideologue! That bell didn’t just ring for Schaff’s housemaid, but for us too. And it never stopped ringing in our heads.’

Translated by Antonia Lloyd-Jones

Non-fiction
Artur Domosławski
Rewolucja nie ma końca

Latin American society presented through a blend of intimate portraits, autobiography and micro-histories

Publisher: Wydawnictwo Literackie, 2024
Translation rights: Joanna Dąbrowska, j.dabrowska@wydawnictwoliterackie.pl

Artur Domosławski draws on over 20 years’ experience reporting from Latin America to present a comprehensive examination of the region’s recent history, covering countries including Brazil, Uruguay, Chile, Argentina, Colombia, Cuba, Ecuador and Venezuela.

The book has two main narrative lines. The first chronicles the social struggles of grassroots movements through personal stories and portraits of individuals. Those include national leaders and activists, as well as people in remote regions who are fighting for their land, the environment and their own human rights, against threats from big business. These personal accounts make the narrative very accessible and absorbing.

The second thread is partly autobiographical, as Domosławski compares societies in Latin America with those of his native eastern Europe. He contrasts anti-communist sentiment among Polish democrats with the radically left-wing ideals of their Latin American counterparts, Polish admiration of the USA with Latin American resentment after decades of American intervention, and eastern European faith in the free market with Latin American scepticism toward capitalism’s false promises. He also compares right-wing populist movements in both regions, and explores how differing experiences have shaped contrasting understandings of concepts including socialism, capitalism, imperialism and anti-communism.

Throughout, colourful micro-stories headed ‘Minor Revolutions’ and ‘The Past that Refuses to Go Away’ break up the narrative in an entertaining and informative way. The former include events such as Argentina’s pro-choice victory and the legalisation of cannabis in Uruguay, while the latter cover attempts to settle scores with anti-communist dictatorships, collective memory, and how history repeats itself. These multiple perspectives give Revolution Never Ends an original tone, taking it beyond purely journalistic reporting.

Antonia Lloyd-Jones

Selected samples

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Szczepan Twardoch
Andrzej Dybczak
Dorota Masłowska
Bartosz Sadulski
Łukasz Orbitowski
Paweł Sołtys
Paweł Rzewuski
Joanna Wilengowska
Wojciech Śmieja
Katarzyna Sobczuk
Jakub Nowak
Weronika Murek
Marta Michalak
Weronika Mathia
Ziemowit Szczerek
Artur Domosławski
Agata Puwalska
Piotr Janicki
Kasper Pfeifer
Maria Cyranowicz
Antonina Tosiek
Anouk Herman
Krzysztof Siwczyk
Robert Rybicki
Przemysław Suchanecki
Jakub Sęczyk
Małgorzata Rejmer
Anna Cieplak
Grzegorz Bogdał
Natalka Suszczyńska
Joanna Kuciel-Frydryszak
Aleksandra Tarnowska
Mateusz Żaboklicki
Elżbieta Łapczyńska
Mateusz Górniak
Agnieszka Jelonek
Ishbel Szatrawska
Marta Hermanowicz
Filip Matwiejczuk
Anna Świrszczyńska
Mirka Szychowiak
Justyna Kulikowska
Urszula Kozioł
Kamila Janiak
Urszula Honek
Zuzanna Ginczanka
Darek Foks
Monika Muskała
Kacper Bartczak
Justyna Bargielska
Maciej Robert
Michał Książek
Andrzej Chwalba
Renata Lis
Andrzej Stasiuk
Julia Łapińska
Kajetan Szokalski
Aleksandra Koperda
Łukasz Krukowski
Adam Kaczanowski
Julita Deluga
Wojtek Wawszczyk, Tomasz Leśniak
121344
Anna Kańtoch
Andrzej Bobkowski
Wisława Szymborska
Zdzisław Kranodębski
Andrzej Nowak
Wiesław Myśliwski
Jarosław Jakubowski
Anna Piwkowska
Roman Honet
Miłosz Biedrzycki
Wojciech Chmielewski
Aleksandra Majdzińska
Tomasz Różycki
Maciej Hen
Jakub Nowak
Elżbieta Cherezińska
歐菈·沃丹斯卡-波欽斯卡(Ola Woldańska-Płocińska)
作者:沃伊切赫·維德瓦克(Wojciech Widłak), 插圖:亞歷珊德拉·克珊諾夫斯卡(Aleksandra Krzanowska)
文字:莫妮卡·烏特尼-斯特魯加瓦(Monika Utnik-Strugała), 概念和插圖:皮歐特·索哈(Piotr Socha)
作者:亞格涅絲卡·斯特爾馬什克(Agnieszka Stelmaszyk)
尤安娜·日斯卡(Joanna Rzyska)、阿嘉妲·杜德克(Agata Dudek)、瑪格熱妲·諾瓦克(Małgorzata Nowak) Druganoga出版社,華沙2021
艾麗莎·皮歐特夫斯卡(Eliza Piotrowska)
米科瓦伊·帕辛斯基(Mikołaj Pasiński)、瑪格熱妲·赫爾巴(Gosia Herba)
歐菈·沃丹斯卡-波欽斯卡(Ola Woldańska-Płocińska)
瑪麗安娜·奧克雷亞克(Marianna Oklejak)
拉法爾·科希克(Rafał Kosik)
亞歷珊德拉·沃丹斯卡-波欽斯卡(Aleksandra Woldańska-Płocińska)
巴托米耶·伊格納邱克(Bartłomiej Ignaciuk), 阿嘉塔·洛特-伊格納邱克(Agata Loth-Ignaciuk)
文字和插圖:皮歐特·卡爾斯基(Piotr Karski)
文字和插圖:皮歐特·卡爾斯基(Piotr Karski)
羅珊娜·延澤耶夫斯卡-弗魯貝爾 (Roksana Jędrzejewska-Wróbel)
作者:普舎米斯瓦夫·維赫特洛維奇(Przemysław Wechterowicz) 插圖:艾米莉·吉烏巴克(Emilia Dziubak)
尤斯提娜·貝納雷(Justyna Bednarek) 插圖:丹尼爾·德拉圖爾(Daniel De Latour)
尤安娜·巴托西克(Joanna Bartosik)
瑪格熱妲·斯文多夫斯卡(Małgorzata Swędrowska)、尤安娜·巴托西克(Joanna Bartosik)
Jan Kochanowski
Jarosław Marek Rymkiewicz
Olga Tokarczuk
Władysław Stanisław Reymont
An Ancient Tale
Stanisław Rembek
Elżbieta Cherezińska
Henryk Sienkiewicz
Maria Dąbrowska
Stefan Żeromski
Bronisław Wildstein
Zbigniew Herbert / Wisława Szymborska
Karol Wojtyła
Wiesław Myśliwski
Czesław Miłosz
Anna Świrszczyńska / Melchior Wańkowicz
Tadeusz Borowski / Gustaw Herling-Grudziński
Wiesław Helak
Góra Tabor
Adriana Szymańska
Paweł Rzewuski
Mariusz Staniszewski
Staniszewski_Kartel
Radek Rak
Agla
Urszula Honek
Honek
Kazimierz Orłoś
Orlos
Rafał Wojasiński
Tefil
Antonina Grzegorzewska
Grzegorzewska_drama
Józef Mackiewicz
Mackiewicz_Sprawa
Tobiasz Piątkowski, Marek Oleksicki
Piatkowski_Oleksicki_Ekspozytura
Daniel Odija
Bronisław Wildstein
Józef Mackiewicz
Mackiewicz_Droga
Józef Mackiewicz
Mackiewicz_Bunt-rojstow
Witold Szabłowski
Szablowski_Rosja-od-kuchni
Andrzej Muszyński
Muszynski_Dom-ojcow
Wiesław Helak
Helak
Bartosz Jastrzębski
Jastrzebski_Dies-irae
Dariusz Sośnicki
Sośnicki_Po-domu
Łukasz Orbitowski
Orbitowski_chodz
Jakub Małecki
Malecki_SO
אנדז'יי ספקובסקי
Elżbieta Cherezińska
Wiesław Myśliwski
Jakub Małecki
Aleksandra Lipczak
Jacek Dukaj
Wit Szostak
Bartosz Biedrzycki
Zyta Rudzka
Maciej Płaza
Wojciech Chmielewski
Paweł Huelle
Przemysław "Trust" Truściński
Angelika Kuźniak
Wojciech Kudyba
Michał Protasiuk
Stanisław Rembek
Rembek
Krzysztof Karasek
Elżbieta Isakiewicz
Artur Daniel Liskowacki
Jarosław Jakubowski
Zbigniew Stawrowski
Szczepan Twardoch
Wojciech Chmielarz
Robert Małecki
Zygmunt Miłoszewski
Anna Piwkowska
Dominika Słowik
Wojciech Chmielewski
Barbara Banaś
Rafał Mikołajczyk
Jerzy Szymik
Waldemar Bawołek
Julia Fiedorczuk
Jakub Szamałek
Witold Szabłowski
Jacek Dukaj
Grzegorz Górny, Janusz Rosikoń
Paweł Piechnik
Andrzej Strumiłło

69

Marta Kwaśnicka
Piotr Mitzner
Paweł Sołtys
Wacław Holewiński
Anna Potyra
Wiesław Helak
Urszula Zajączkowska
Marek Stokowski
Stokowski
Hubert Klimko-Dobrzaniecki
HKD
Jakub Małecki
Malecki_Horyzont
Łukasz Orbitowski
Orbitowski
Małgorzata Rejmer
Rejmer
Rafał Wojasiński
Olanda
Wojciech Kudyba
Kudyba
Włodzimierz Bolecki
Bolecki
Jerzy Liebert
Liebert
Wojciech Zembaty
Zembaty
Wojciech Chmielarz
Chmielarz
Bogdan Musiał
Musiał
Joanna Siedlecka
Siedlecka
Krzysztof Tyszka-Drozdowski
Drozdowski
Jarosław Marek Rymkiewicz
Marek Bieńczyk
Bienczyk
Leszek Elektorowicz
Elektorowicz
Adrian Sinkowski
Sinkowski
Szymon Babuchowski
Babuchowski
Lech Majewski
Majewski
Weronika Murek
Murek
Agnieszka Świętek
Swietek
Stanisław Szukalski
Barbara Klicka
Klicka
Anna Kamińska

She climbed her first peaks in a headscarf at a time when women in the mountains were treated by climbers as an additional backpack. It was with her that female alpinism began! She gained recognition in a spectacular way. The path was considered a crossing for madmen. Especially since the tragic accident in 1929, preserved … Continue reading “Halina”

Wojciech Chmielarz

First, Marysia, a student of an exclusive private school in Warsaw’s Mokotów district, dies under the wheels of a train. Her teacher, Elżbieta, tries to find out what really happened. She starts a private investigation only soon to perish herself. But her body disappears, and the only people who have seen anything are Gniewomir, a … Continue reading “Wound”

Anna Kańtoch

A young girl, Regina Wieczorek, was found dead on the beach. She was nineteen years old and had no enemies. Fortunately, the culprit was quickly found. At least, that’s what the militia think. Meanwhile, one day in November, Jan Kowalski appears at the police station. He claims to have killed not only Regina but also … Continue reading “Penance”

Marek Krajewski

The year is 1922. A dangerous time of breakthrough. In the Eastern Borderlands of the Republic of Poland, Bolshevik gangs sow terror, leaving behind the corpses of men and disgraced women. A ruthless secret intelligence race takes place between the Lviv-Warsaw-Free City of Gdańsk line. Lviv investigator Edward Popielski, called Łysy (“Hairless”), receives an offer … Continue reading “A Girl with Four Fingers”

Ks. Tomasz Stępień

This question is closely related to the next one, namely: if any goal exists, does life lead us to that goal in an orderly manner? In other words, is everything that happens to us just a set of chaotic events that, combined together, do not form a whole? To understand how the concept of providence … Continue reading “Order and Love”

Jakub Małecki
Szczepan Twardoch
Wiesław Helak
Maria Wilczek-Krupa
Anna Kańtoch
Rafał Kosik
Paweł Sołtys
Dorota Masłowska
Wiesław Myśliwski
Martyna Bunda
Olga Tokarczuk
Various authors
Mariola Kruszewska
Waldemar Bawołek
Marek Oleksicki, Tobiasz Piątkowski
Wojciech Tomczyk
Urszula Zajączkowska
Marzanna Bogumiła Kielar
Ks. Robert Skrzypczak
Bronisław Wildstein
Anna Bikont
Magdalena Grzebałkowska
Wojciech Orliński
Klementyna Suchanow
Andrzej Franaszek
Natalia Budzyńska
Marian Sworzeń
Aleksandra Wójcik, Maciej Zdziarski
Józef Łobodowski

The work of Józef Łobodowski (1909-1988) – a remarkable poet, prose writer, and translator, who spent most of his life in exile – is slowly being revived in Poland. Łobodowski’s brilliant three- volume novel, composed on an epic scale, concerns the fate of families and orphans unmoored by the Bolshevik Revolution and civil war and … Continue reading “Ukrainian Trilogy: Thickets, The Settlement, The Way Back”

Piotr Zaremba
Wacław Holewiński
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