Poetry meets prose to make sense of the world
As far as you know, history is a set of fictions giving birth to facts that harden over time
into truths of faith and – by extension – into slaughter. That’s why you never took seriously
the frontline stories, all the secret glosses that erupted years later into drunken brawls
among the veterans, those numb old men sitting on benches outside the apartment block
in piss-soaked pants. And yet, there were moments when you’d sit down in awe, because something suddenly seemed beyond your comprehension, beyond the language of complaints and megalomania, when one man after another suddenly fell silent, unable to shake off
a memory and rejoin the living, like your father, a victim of the past that bore nothing
besides you, a son led by a firm hand straight to the threshold of tomorrow, which, he’d say, needs neither weaklings nor tears. You’re getting better and better at not being one,
but your aloofness and indifference triumph. You leave autarky behind on the bench
and fly onward, longing for the collective. Miracles have happened, when a corpse came
to life, rose from the bench, ran after the bus, and shouted something, shaking his fist
in the air, without telling Nobody.
Your mother’s steadfast faith, which she communicates in morning and evening
communiques, sticks out like a sore thumb in the working-class neighbourhood. You wonder when she actually eats. Abnormal fasting, mortification in every season, despair over
the coal car and the dishes – they begin to take on the straightforward manner with which
she answers every sensitive question about her health. Everything is always fine,
you never hear complaints, it’s only her hunched figure by the altar that betrays
exhaustion. Wearing black flats, she dozes off during the elevation, always a little
short of time, thumbs her missal, clutching a breviary under her right arm. You adore
the delicate pages, vellum as gentle as a zephyr, the force of the words from which she has fashioned herself for every occasion. Friday, fun day. All that’s true accumulates
in her pancreas. The pain becomes more frequent; she feels hyperacidity. She changes colour.
She transforms into a tangerine she’s never eaten. You know all this but do nothing.
Your tiny mother has fallen into a rut, rides on the conveyor belt, departs in a train, slides
silently across the empyrean board, becoming a skat card, a Prussian pattern torn in half.
Having caught the volunteering bug, you join in the construction of a swimming pool.
A small reservoir of great joys. You’ll begin to dip yourself in dreams. You’ll be the first
to jump into the water – the world above left mute. You’ll turn over near the bottom,
and you’ll see the rippling physical forms, the soles of their rubber boots, and the distant
rays piercing the water like twine or some other gossamer entangling you on the surface.
You were born for the water; you practice the butterfly every morning. You jump
the fence and climb the starting block. You notice the cracked concrete, you are light,
the chlorine seeps into your body, your beard undulates gently, cracked corners of your lips
sting mercilessly. You swim up nimbly, throw your arms over the edge, watch the wake
recede and approach its source. Fog incenses your head. You change behind the substation.
Put Lycra and rumpled Wranglers on your wet body, and bite into a fatty slice of bread.
The best part of the day turns into the worst part of the entire time that must pass before
you acknowledge in your ritualistic eccentricities a true disposition to disappear beneath
the surface of life, where you will find in me your voice drowning in agony.
Your dramas create a theory of noncontradiction, perfectly harmonizing with what’s outside,
yet at the same time you find them unique. You try not to listen to the neighborly talk,
echoing in the chimneys, as you lie together in the bathtub, and you rub your wife’s back. Someone in the air vent is listening to Radio Free Europe, someone else is pulling the bed
out of the wall unit. The yapping termite mound begins to shake the apartment block
and paint is peeling from the ceiling. A damp patch grows above you. You feel you’re
about to be swept away by the surf you greeted this summer, when you left footprints
on the beach, walking completely alone toward the lighthouse like the last people shutting
their lives behind them as a couple. A child seemed like a storyline to fill your days,
something to talk about with the others, who were already slogging through daycares.
At dawn, you hear the struggle with matter, and, a moment later, nervous footsteps on the staircase and then the iron door being slammed downstairs. The harder you try, the more
you fail. The reproaches begin. You retreat to your duties, while the stench of words
spoken by foreign lips, which speak, among others, through you, lingers on your lips.
Translated by Piotr Florczyk
Poetry meets prose to make sense of the world
Krzysztof Siwczyk’s latest book, Bloodline Crossings, can best be characterised as a hybrid work, of poetry and prose, in which the author employs language rich in metaphor, stock phrases and idioms to dismantle – to riff on something he said in a recent interview – life’s many illusions. Siwczyk’s own milestones, including a Silesian childhood (his as well as his parents’), marriage, relatives’ passing and the birth of his daughter are both celebrated and scrutinised with surgical precision.
In some of his early poetry, Siwczyk made deft use of the long line, testing its load-bearing limits while piling on images and various, sometimes discordant, tonalities, and we see something similar at work here, but with one key difference: the language of these untitled pieces – prose poems? flash fiction? – seems more rhythmical and thus more engrossing. Instead of being kept at arm’s length, we partake in the author’s peregrinations across the spectrum of life and death. Given Siwczyk’s thematic focus, the journey has no clear destination. Rather, its purpose lies in crossing, crisscrossing, doubling back and, yes, in getting lost along the way. Come to think of it, isn’t that the purpose and reward of all great art?
Piotr Florczyk
Selected samples
She climbed her first peaks in a headscarf at a time when women in the mountains were treated by climbers as an additional backpack. It was with her that female alpinism began! She gained recognition in a spectacular way. The path was considered a crossing for madmen. Especially since the tragic accident in 1929, preserved … Continue reading “Halina”
First, Marysia, a student of an exclusive private school in Warsaw’s Mokotów district, dies under the wheels of a train. Her teacher, Elżbieta, tries to find out what really happened. She starts a private investigation only soon to perish herself. But her body disappears, and the only people who have seen anything are Gniewomir, a … Continue reading “Wound”
A young girl, Regina Wieczorek, was found dead on the beach. She was nineteen years old and had no enemies. Fortunately, the culprit was quickly found. At least, that’s what the militia think. Meanwhile, one day in November, Jan Kowalski appears at the police station. He claims to have killed not only Regina but also … Continue reading “Penance”
The year is 1922. A dangerous time of breakthrough. In the Eastern Borderlands of the Republic of Poland, Bolshevik gangs sow terror, leaving behind the corpses of men and disgraced women. A ruthless secret intelligence race takes place between the Lviv-Warsaw-Free City of Gdańsk line. Lviv investigator Edward Popielski, called Łysy (“Hairless”), receives an offer … Continue reading “A Girl with Four Fingers”
This question is closely related to the next one, namely: if any goal exists, does life lead us to that goal in an orderly manner? In other words, is everything that happens to us just a set of chaotic events that, combined together, do not form a whole? To understand how the concept of providence … Continue reading “Order and Love”
The work of Józef Łobodowski (1909-1988) – a remarkable poet, prose writer, and translator, who spent most of his life in exile – is slowly being revived in Poland. Łobodowski’s brilliant three- volume novel, composed on an epic scale, concerns the fate of families and orphans unmoored by the Bolshevik Revolution and civil war and … Continue reading “Ukrainian Trilogy: Thickets, The Settlement, The Way Back”