(1945–2021) – poet, essayist and prose writer. Adam Zagajewski made his debut in the late 1960s, co-founding a poetic group called “Nowa Fala” (New…
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The Book Institute offers translation of excerpt from Stefan Grabiński’s work in French. Interested parties are kindly invited to contact us.
(1887–1936) – one of Poland’s leading exponents of pre-war fantastical writing, often called the ‘Polish Edgar Allan Poe’ or the ‘Polish Lovecraft’.
He graduated from the University of Lviv in Classical and Polish Literature, and worked as a Polish teacher in Lviv’s secondary schools. He wrote horror stories.
His short stories are the most acclaimed, having brought him popularity in his lifetime. His artistic imagination had two main features: first, a love of the railroad, which he made into a symbol of modernity and unstoppable movement, and second, an interest in occultism, shaped through his fundamentalist mother.
Grabiński’s greatest works are generally considered to be ‘Demon ruchu’ (The Motion Demon), whose first edition had nine tales of horror, and second had twelve. They were joined by the theme of the railway – their settings are stations, stationmasters’ huts, platforms and trains. Grabiński’s style uses a heavy dose of realism to depict his settings and a great deal of specialist knowledge of railway vocabulary; moreover, there are clearly repeating eccentric portraits, odd protagonists that encounter inexplicable phenomena and catastrophes. In Demon of Motion we see evidence of the author’s fondness for the occult, but it emerges fully in ‘Księga ognia’ (Book of Fire). Here Grabiński explores almost all possible incarnations of the fire motif: a fiery religious faith, fire of the inquisition, desire and eroticism, hellfire, fireworks, firefighting. We have yet to have a critical and readers’ response to Grabiński’s dramas, which have not been widely shown.
He also had a modest output of literary criticism, exploring the genesis of literature and problems in writing, including fantastical prose. In 1931, right after retiring, he received the City of Lviv Literary Award. His name was recommended by Karol Irzykowski and Jerzy Eugeniusz Płomieński. Irzykowski was among the first to appreciate Grabiński’s work. After World War II, Artur Hutnikiewicz praised him as well.
This award gave the ailing artist the longing to write – it let him pay his debts and get back on his feet. This did not last long. Grabiński died five years later, on 12 November 1936, poor and forgotten. He was buried in Lviv.
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