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Olga Tokarczuk

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The Book Institute offers translations of excerpts from Olga Tokarczuk’s works in the following languages: English, German, Hebrew, Hungarian, Portuguese and Spanish. Interested parties are kindly invited to contact us.

(1962) – writer, essayist, poet, screenwriter, psychologist.

After graduating with a degree in psychology from the University of Warsaw, Olga Tokarczuk worked as a psychotherapist at the Wałbrzych Mental Health Clinic (1986–1989). The following years of her career were spent working at the Methodological Centre in Wałbrzych, where she led her own workshops for teachers, and at the Addiction Treatment Centre in Czarny Bór, working with alcohol addicts. During the first political transformation in Poland, like many people, Tokarczuk emigrated to Western Europe. She ended up working and learning English in the UK. The experiences she gained while studying and working are reflected in her writing.

She made her debut as a prose writer in 1979 in the magazine “Na przełaj”, where she published her first stories – “Świąteczne zabijanie ryby” (Christmas Killing a Fish) and “Moi przyjaciele” (My Friends) – under the pseudonym Natasza Borodin. A decade later, Tokarczuk’s poetry hit the spotlight when her collection was published in “Okolice” under the title “Miasto w lustrach” (City in Mirrors). 1993 saw the release of her first book, “Podróż ludzi Księgi” (The Journey of the Book-People). In 1994, she joined the Polish Writers Association, and remained a member until 2020. 1997 was an exceptional year for Tokarczuk: she received the Kościelski Award and the Polityka Passport Award; the prizes helped build Tokarczuk’s position in the literary world and increased her popularity. Over her career, Tokarczuk has received an impressive list of awards, including the Nobel Prize in Literature (2018) and the Man Booker International Prize (2018). She has also won the Nike Literary Award twice – for “Bieguni” (Flights) in 2008, and for “Księgi Jakubowe” (The Books of Jacob) in 2015 – and the Nike Readers’ Literary Award five times – for “Prawiek i inne czasy” (Primeval and Other Times) in 1997, for “Dom dzienny, dom nocny” (House of Day, House of Night) in 1999, for “Gra na wielu bębenkach” (Playing on Many Drums) in 2002, for “Bieguni” in 2008, and for “Księgi Jakubowe” in 2015. She has received honorary doctorates from the University of Warsaw, the Jagiellonian University and the University of Wrocław, as well as from Sofia University, Hong Kong Baptist University and Sorbonne University. In Norway, Tokarczuk was appointed Arne Næss Chair in Global Justice and the Environment. In 2023, she was awarded the Jerzy Żuławski Literary Award and received an honorary doctorate in Tel Aviv. Tokarczuk has also been awarded the Silver Gloria Artis Medal for Merit to Culture (2010), the Gold Badge of Honour for Merit to the Lower Silesian Voivodeship (2018), the Badge of Honor of Kłodzko County (2019), and the Medal of the Senate of the Republic of Poland (2019). She is an honorary citizen of the City and Commune of Bardo (2005), Nowa Ruda (2009), Wrocław (2019), Warsaw (2020) and Kraków (2021).

Both Tokarczuk’s parents were teachers, and her own teaching career began with delivering workshops for teachers in Wałbrzych and leading a humanities seminar at the Wałbrzych Higher School of Management and Entrepreneurship. In later years, she also taught classes at the Literature and Arts School of the Jagiellonian University, and from 2008, creative writing classes at the University of Opole. After her prose debut in 1998, she founded a publishing house, Ruta, with her first husband, Roman Fingas. The aim of the new venture was to contribute to the decentralisation of the book market, and to ramp up cultural opportunities beyond the cities with great literary traditions – they also opened a book shop of the same name in Wałbrzych. Unfortunately, in 2024, Ruta ceased operations. As well as publishing the works of Tokarczuk herself (“Dom dzienny, dom nocny”; “Szafa” (The Wardrobe); “Gra na wielu bębenkach”), Ruta also published books by Karol Maliszewski, Grzegorz Strumyk, Tamara Bołdak-Janowska and Jarosław Klejnocki, as well as an anthology of online poetry. In addition to a distinctive artistic form, Ruta’s books were also characterised by exceptional attention to graphic design. Following on from her independent publishing career, Tokarczuk joined the major Polish publishing house Wydawnictwo Literackie.

Tokarczuk is also the driving force behind numerous literary events. She was the originator of the International Short Story Festival in Wrocław (2004). Today, the most popular of Olga Tokarczuk’s initiatives is the Mountains of Literature Festival. Between 2015 and 2020, the festival was organised by the Mount Babel Cultural Association and its manager, Beata Kłossowska-Tyszka; since 2021, it has been run by the Olga Tokarczuk Foundation. The foundation promotes numerous initiatives that are invaluable for contemporary literary life. One of them is a return to the idea of the 1990s, reviving and sustaining life in the so-called “little homelands”. Animating the Wałbrzych region has been one of Tokarczuk’s most important focuses for decades. She is also no stranger to editorial work, having been a member of the editorial team of the quarterly “Krytyka Polityczna”. In addition, she sits on the jury of the European Poet of Freedom initiative, which is driven by the idea of “connecting and popularising various communities, languages and literary visions of our world”.

Tokarczuk is celebrated for her versatility. As well as prose, poetry and essays, drama is another key area of her work; she made her debut as a playwright in 2000 with “Skarb” (Treasure), a play written for television. In 2018, at the request of the Kraków Festival Office, she wrote a libretto for an opera – an adaptation of her novel “Anna In w grobowcach świata” (Anna In in the Tombs of the World). Six years after its stage premiere, “ahat ilī. Siostra bogów” (Ahat Ilī: Sister of Gods) was published in book form.

Tokarczuk’s Nobel Prize speech can be considered the key to her work. In it, she presents her understanding of the place of humans in the world, and the role of literature; she professes her belief in the truth contained in literary fiction, and gives her definition of the tender narrator (later developed in a separate book):

“I also dream of a new kind of narrator – a ‘fourth-person’ one, who is not merely a grammatical construct of course, but who manages to encompass the perspective of each of the characters, as well as having the capacity to step beyond the horizon of each of them, who sees more and has a wider view, and who is able to ignore time. Oh yes, I think this narrator’s existence is possible.

Have you ever wondered who the marvellous storyteller is in the Bible who calls out in a loud voice: ‘In the beginning was the word’? Who is the narrator who describes the creation of the world, its first day, when chaos was separated from order, who follows the serial about the origin of the universe, who knows the thoughts of God, is aware of his doubts, and with a steady hand sets down on paper the incredible sentence: ‘And God saw that it was good’? Who is this, who knows what God thought?

Leaving aside all theological doubts, we can regard this figure of a mysterious, tender narrator as miraculous and significant. This is a point of view, a perspective from where everything can be seen. Seeing everything means recognising the ultimate fact that all things that exist are mutually connected into a single whole, even if the connections between them are not yet known to us. Seeing everything also means a completely different kind of responsibility for the world, because it becomes obvious that every gesture ‘here’ is connected to a gesture ‘there’, that a decision taken in one part of the world will have an effect in another part of it, and that differentiating between ‘mine’ and ‘yours’ starts to be debatable.

So it could be best to tell stories honestly in a way that activates a sense of the whole in the reader’s mind, that sets off the reader’s capacity to unite fragments into a single design, and to discover entire constellations in the small particles of events. To tell a story that makes it clear that everyone and everything is steeped in one common notion, which we painstakingly produce in our minds with every turn of the planet.

Literature has the power to do this. We should drop the simplistic categories of highbrow and lowbrow literature, popular and niche, and take the division into genres very lightly. We should drop the definition of ‘national literatures’, knowing as we do that the universe of literature is a single thing, like the idea of unus mundus, a common psychological reality in which our human experience is united. The Author and the Reader perform equivalent roles, the former by dint of creating, the latter by making a constant interpretation.”

Tokarczuk’s work has been adapted into the language of film and theatre. Films based on her short stories include Ryszard Brylski’s “Żurek” (White Soup, 2003), and Agnieszka Smoczyńska’s “Aria Diva” (based on “Ariadna na Naksos” (Ariadne on Naxos, 2007). Adam Uryniak used parts of “Bieguni” in the film “Zniknięcie” (The Vanishing, 2011), and Izabela Kiszczak’s etude “Glicynia” (Wisteria, 2016) is based on the short story of the same name from “Gra na wielu bębenkach”. Tokarczuk adapted her novel “Prowadź swój pług przez kości umarłych” (Drive Your Plow Over the Bones of the Dead) for the screen herself, resulting in the film “Pokot” (Spoor, 2017), for which she also co-authored the screenplay with Agnieszka Holland. Tokarczuk also wrote the script for one of the five stories in the film “Erotica 2022” – “Znikanie pani B.” (The Disappearance of Mrs B.) – directed by Anna Kazejak (2020).

Bibliography

BIBLIOGRAPHY

  • Miasta w lustrach, [poetry], Warsaw: supplement to the „Okolice”, 1989.
  • Podróż ludzi Księgi, Warsaw: Przedświt, 1993.
  • E., Warsaw: PIW, 1995.
  • Prawiek i inne czasy, Warsaw: W.A.B., 1995.
  • Szafa, Lublin: Wydawnictwo UMCS, 1997.
  • Dom dzienny, dom nocny, Wałbrzych: Ruta, 1997.
  • Opowieści wigilijne [with Jerzy Pilch and Andrzej Stasiuk], Wałbrzych: Ruta, Wołowiec: Wydawnictwo Czarne, 2000.
  • Lalka i perła, Cracow: Wydawnictwo Literackie, 2000.
  • Gra na wielu bębenkach, Wałbrzych: Ruta, 2001.
  • Ostatnie historie, Cracow: Wydawnictwo Literackie, 2004.
  • Anna In w grobowcach świata, Cracow: Znak, 2006.
  • Bieguni, Cracow: Wydawnictwo Literackie, 2007.
  • Prowadź swój pług przez kości umarłych, Cracow: Wydawnictwo Literackie, 2009.
  • Moment niedźwiedzia, Warsaw: Wydawnictwo Krytyki Politycznej, 2012.
  • Księgi Jakubowe, Cracow: Wydawnictwo Literackie, 2014.
  • Zgubiona dusza [with Joanna Concejo], Wrocław: Wydawnictwo Format, 2017.
  • Opowiadania bizarne, Cracow: Wydawnictwo Literackie, 2018.
  • Czuły narrator, Cracow: Wydawnictwo Literackie, 2020.
  • Empuzjon, Cracow: Wydawnictwo Literackie, 2022.
  • Pan Wyrazisty, Wrocław: Wydawnictwo Format, 2023.
  • „ahat ilī. Siostra bogów”, Gdańsk: słowo/ obraz terytoria, 2024.

Albanian:

  • Shtërgjet [Bieguni], trans. Edlira Lloha, Tirana: Albas, 2019.
  • Sonatë për shumë tambure [Gra na wielu bębenkach], trans. Astrit Beqiraj, Tirana: IDK Publishing, 2019.
  • Kaloje plugun mbi kockat e të vdekurve [Prowadź swój pług przez kości umarłych], trans. Astrit Beqiraj, Tirana: IDK, 2020.
  • Empuzion [Empuzjon], trans. Astrit Beqiraj, Tirana: Papirus, 2023.

Arabian:

  •  رحالة  [Bieguni], trans. Ihab Abdel Hamid, Bayrūt: Dar Al Tanweer, 2019.
  • جر محراثك فوق عظام الموتى [Prowadź swój pług przez kości umarłych], trans. Ihab Abdel Hamid, Bayrūt: Dar Al Tanweer, 2022.

Armenian:

  • Գրքի մարդկանց ուղևորությունը [Podróż ludzi Księgi], trans. Karine Aġabekyan, Ervan: Gitankʻ, 2006.

Basque:

  • Arima galdua [Zgubiona dusza], trans. Izaskun Gracia Quintana, Barcelona: Thule Ediciones, 2019.
  • Erabili goldea hilen hezurren gainetik [Prowadź swój pług przez kości umarłych], trans. Amaia Apalauza Ollo, Sonia Kolaczek, Donostia: Elkar Argitaletxeak SL, 2020.

Belarussian:

  • Правек ды іншыя часы [Prawiek i inne czasy], trans. Maryna Szoda, Minsk: Lohvinau, 2010.
  • Вядзі свой плуг праз косткі мёртвых [Prowadź swój pług przez kości umarłych], trans. Maryna Szoda, Minsk: Lohvinau, 2018.

Bosnian:

  • Bjeguni [Bieguni], trans. Milica Markić, Sarajewo: Buybook, 2019.
  • Bizarne priče [Opowiadania bizarne], trans. Milica Markić, Sarajewo: Buybook, 2020.

Bulgarian:

  • Бегуни [Bieguni], trans. Silwia Borisowa, Sofija: Wesela Luckanowa, 2009.
  • Дом дневен, дом нощен [Dom dzienny, dom nocny], trans. Hristina Ivanova Simeonova-Mitova, Weliko Tyrnowo: Abagar, 2005.
  • Музика от много барабани [Gra na wielu bębenkach], trans. Silwia Borisowa, Sofija: Wesela Luckanowa, 2006.
  • Последни истории [Ostatnie historie], trans. Mirka Kostowa, Sofija: Wesela Luckanowa, 2008.
  • Правек и други времена [Prawiek i inne czasy], trans. Gieorgi Krystew, Sofija: Altera, 2008.
  • Карай плуга си през костите на мъртвите [Prowadź swój pług przez kości umarłych], trans. Silwia Borisowa, Sofija: Panorama Plus, 2013.
  • Изгубената душа [Zgubiona dusza], trans. Silwia Borisowa, Sofia: ICU, 2019.
  • Чувствителният разказвач [Czuły narrator], trans. Krum Krumov, Sofija: ICU, 2021.
  • Чудати разкази [Opowiadania bizarne], trans. Krum Krumov, Sofija: ICU, 2021.
  • Гардеробът [Szafa], trans. Krum Krumov, Sofija: ICU, 2022.
  • Анна Ин в гробниците на света [Anna In w grobowcach świata], trans. Krum Krumov, Sofija: ICU, 2023.
  • Господин Изразителен [Pan Wyrazisty], trans. Krum Krumov, Sofija: ICU, 2023.
  • Емпузион [Empuzjon], trans. Krum Krumov, Sofija: ICU, 2024.

Catalan:

  • Un lloc anomenat Antany [Prawiek i inne czasy], trans. Anna Rubió, Jerzy Sławomirski, Barcelona: Proa Beta, 2001.
  • L’ànima perduda [Zgubiona dusza], trans. Xavier Farré Vidal, Barcelona: Thule Ediciones, 2019.
  • Cos [Bieguni], trans. Xavier Farré Vidal, Barcelona: Rata, 2019.

Chinese:

  • 太古和其他的時間  [Prawiek i inne czasy], trans. Yi Lijun, Yuan Hanrong, Tajpej: Dakai Wenhua, 2003.
  • 收集夢的剪貼簿 [Dom dzienny, dom nocny], trans. Yi Lijun, Yuan Hanrong, Tajpej: Dakai Wenhua, 2007.
  • 雲遊者 [Bieguni], trans. Chih-Chun Yeh, Taibei: Dakuai Wenhua Chuban Gufen Youxian Gongsi, 2020.
  • 怪诞故事集, [Opowiadania bizarne], trans. Yinan Li, Zhangzhou: Zhe Jiang Wen Yi Chu Ban She, 2020.
  • 玩偶与珍珠 [Lalka i perła], trans. Zhang Zhanghuei, Zhangzhou: Zhe Jiang Wen Yi Chu Ban She, 2021.
  • 世界上最丑的女人 [Gra na wielu bębenkach], trans. Mao Yinhui, Zhangzhou: Zhe Jiang Wen Yi Chu Ban She, 2021.
  • 世界坟墓中的安娜·尹 [Anna In w grobowcach świata], trans. Lin Xin, Zhangzhou: Zhe Jiang Wen Yi Chu Ban She, 2021.
  • 爱尔娜 [E.E.], trans. Zhang Zhanghuei, Zhangzhou: Zhe Jiang Wen Yi Chu Ban She, 2023.
  • 浙江文艺出版社  [Ostatnie historie], trans. Yinan Li, Zhangzhou: Zhe Jiang Wen Yi Chu Ban She, 2024.

Croatian:

  • Pravijek i ostala vremena [Prawiek i inne czasy], trans. Pero Mioč, Zagreb: Nakladni zavod Matice hrvatske, 2001.
  • Dom danji, dom noćni [Dom dzienny, dom nocny], trans. Pero Mioč, Zagreb: Nakladni zavod Matice hrvatske, 2003.
  • Ormar [Szafa], trans. Đurđica Čilić Škeljo, Zagreb: Naklada MD, 2003.
  • Tjeraj svoj plug preko mrtvačkih kostiju [Prowadź swój pług przez kości umarłych], trans. Mladen Martić, Zagreb: Naklada Ljevak, 2013.
  • Knjige Jakubove [Księgi Jakubowe], trans. Mladen Martić, Zagreb: Fraktura, 2018.
  • Bjeguni [Bieguni], trans. Mladen Martić, Zagreb: Fraktura, 2020.
  • Bizarne pripovijesti [Opowiadania bizarne], trans. Mladen Martić, Zagreb: Fraktura, 2021.
  • Najružnija žena na svijetu [Gra na wielu bębenkach], trans. Mladen Martić, Đurđica Čilić, Zagreb: Fraktura, 2022.

Czech:

  • Pravĕk a jiné časy [Prawiek i inne czasy], trans. Petr Vidlák, Brno: Host, 1999.
  • Denni dům, nočni dům [Dom dzienny, dom nocny], trans. Petr Vidlák, Brno: Host, 2002.
  • Hra na spoustu bubínků [Gra na wielu bębenkach], trans. Iveta Mikešová, Olomouc: Periplum, 2005.
  • Poslední příběhy [Ostatnie historie], trans. Petr Vidlák, Brno: Host, 2007.
  • Anna in v hrobech sveta [Anna In w grobowcach świata], trans. Jan Faber, Zlin: Kniha Zlin, 2008.
  • Běguni [Bieguni], trans. Petr Vidlak, Pavel Peč, Brno: Host, 2008.
  • Svůj vůz i pluh veď přes kosti martvých [Prowadź swój pług przez kości umarłych], trans. Petr Vidlák, Brno: Host, 2010.
  • Okamžik medvěda [Moment niedźwiedzia], trans. Petr Vidlák, Brno: Host, 2014.
  • Knihy Jakubovy [Księgi Jakubowe], trans. Petr Vidlák, Brno: Host, 2016.
  • Bizarní povídky [Opowiadania bizarne], trans. Petr Vidlák, Brno: Host, 2020.
  • Ztracená duše [Zgubiona dusza], trans. Barbora Doležalová, Brno: Host, 2021.
  • Vnímavý vypravěč [Czuły narrator], trans. Petr Vidlák, Brno: Host, 2022.
  • Empusion [Empuzjon], trans. Petr Vidlák, Brno: Host, 2023.

Danish:

  • E. E. [E. E.], trans. Runa Kildegaard Klukowska, København: Fremad, 1996.
  • Broderskabets rejse [Podróż ludzi Księgi], trans. Runa Kildegaard Klukowska, København: Fremad, 1997.
  • Arilds tid og andre tider [Prawiek i inne czasy], trans. Runa Kildegaard Klukowska, København: Fremad, 1998.
  • Kør din plov over de dødes knogler [Prowadź swój pług przez kości umarłych], trans. Hanne Lone Tønnesen, København: Tiderne Skifter, 2012.
  • Rejsende [Bieguni], trans. Hanne Lone Tønnesen, København: Tiderne Skifter, 2016.
  • Den fortabte sjæl [Zgubiona dusza], trans. Hanne Lone Tønnesen, Roskilde: Patzer & CO, 2020.
  • Bizarre fortællinger [Opowiadania bizarne], trans. Hanne Lone Tønnesen, København: Gyldendal, 2022.
  • Hr. Tydelig [Pan Wyrazisty], trans. Judyta Preis, Jørgen Herman Monrad, Roskilde: Batzer & CO, 2023.
  • Empusion: En Naturhelbredelseshorror [Empuzjon], trans. Judyta Preis, Jørgen Herman Monrad, København: Gyldendal, 2024.
  • Dagens hus, nattens hus [Dom dzienny, dom nocny], trans. Hanne Lone Tønnesen, København: Gyldendal, 2024.

Dutch:

  • Oer en andere tijden [Prawiek i inne czasy], trans. Karol Lesman, Breda: De Geus, 1998.
  • Huis voor de dag, huis voor de nacht [Dom dzienny, dom nocny], trans. Karol Lesman, Breda: De Geus, 1999.
  • De laatste verhalen [Ostatnie historie], trans. Karol Lesman, Breda: De Geus, 2008.
  • De rustelozen [Bieguni], trans. Greet Pauwelijn, Breda: De Geus, 2011.
  • De Jacobsboeken [Księgi Jakubowe], trans. Karol Lesman, Amsterdam: De Geus, 2020.
  • Jaag je ploeg over de botten der doden [Prowadź swój pług przez kości umarłych], trans.  Charlotte Pothuizen, Dirk Zijstra, Amsterdam: De Geus, 2020.
  • De tedere verteller [Czuły narrator], trans. Charlotte Pothuizen, Dirk Zijstra, Breda: De Geus, 2023.

English:

  • Flights [Bieguni], trans. Jennifer Croft, London: Fitzcarraldo Editions, 2017.
  • House of Day, House of Night [Dom dzienny, dom nocny], trans. Antonia Lloyd-Jones, London: Granta Books, 2002.
  • Primeval and other times [Prawiek i inne czasy], trans. Antonia Lloyd- Jones, Praha: Twisted Spoon Press, 2010.
  • Drive Your Plow over the Bones of the Dead [Prowadź swój pług przez kości umarłych], trans. Antonia Lloyd-Jones, London: Fitzcarraldo Editions, 2018.
  • The Lost Soul [Zgubiona dusza], trans. Antonia Lloyd-Jones, New York–Oakland–Liverpool: Seven Stories Press, 2021.
  • The Books of Jacob [Księgi Jakubowe], trans.  Antonia Lloyd-Jones, London: Fitzcarraldo Editions, 2021.
  • The Empusium: A Health Resort Horror Story [Empuzjon], trans. Antonia Lloyd-Jones, London: Fitzcarraldo Editions, 2024.

Estonian:

  • Maailma koige inetum naisterahvas [Gra na wielu bębenkach], trans. Hendrik Lindepuu, Tallin: Kultuurileht, 2005.
  • Algus ja teised ajad [Prawiek i inne czasy], trans. Hendrik Lindepuu, Tartu: Hendrik Lindepuu Kirjastus, 2012.
  • Päeva maja, öö maja [Dom dzienny, dom nocny], trans. Hendrik Lindepuu, Tartu: Hendrik Lindepuu Kirjastus, 2013.
  • Aja oma atra läbi koolnute kontide [Prowadź swój pług przez kości umarłych], trans. Hendrik Lindepuu, Halliste: Hendrik Lindepuu Kirjastus, 2020.
  • Rändajad [Bieguni], trans. Hendrik Lindepuu, Halliste: Hendrik Lindepuu Kirjastus, 2021.
  • Ühe Raamatu otsijate teekond [Podróż ludzi Księgi], trans. Hendrik Lindepuu, Halliste: Hendrik Lindepuu Kirjastus, 2022.
  • E.E. [E.E.], trans. Hendrik Lindepuu, Halliste: Hendrik Lindepuu Kirjastus, 2022.

Finnish:

  • Päivän talo, yön talo [Dom dzienny, dom nocny], trans. Tapani Kärkkäinen, Helsinki: Otava, 2004.
  • Alku ja muut ajat [Prawiek i inne czasy], trans. Tapani Kärkkäinen, Helsinki: Otava, 2007.
  • Vaeltajat [Bieguni], trans. Tapani Kärkkäinen, Helsinki: Otava, 2012.
  • Aja aurasi vainajain luitten yli [Prowadź swój pług przez kości umarłych], trans. Tapani Kärkkäinen, Helsinki: Otava, 2020.
  • Rumpujen kaupunki [Gra na wielu bębenkach], trans. Tapani Kärkkäinen, Helsinki: Särötär, 2023.
  • Empusion [Empuzjon], trans. Tapani Kärkkäinen, Helsinki: WSOY, 2024.

French:

  • Dieu, le temps, les hommes et les anges [Prawiek i inne czasy], trans. Christophe Glogowski, Paris: Robert Laffont, 1998.
  • Maison de jour, maison de nuit [Dom dzienny, dom nocny], trans. Christophe Glogowski, Paris: Robert Laffont, 2001.
  • Récits ultimes [Ostatnie historie], trans. Grażyna Erhard, Lausanne: Les Éditions Noir sur Blanc, 2007.
  • Les Pérégrins [Bieguni], trans. Grażyna Erhard, Lausanne: Les Éditions Noir sur Blanc, 2010.
  • Sur les ossements des morts [Prowadź swój pług przez kości umarłych], trans. Margot Carlier, Lausanne: Les Éditions Noir sur Blanc, 2012.
  • Une âme égarée [Zgubiona dusza], trans. Margot Carlier, Wrocław: Format, 2018.
  • Les livres de Jacob [Księgi Jakubowe], trans. Maryla Laurent, Lausanne: Les Éditions Noir sur Blanc, 2018.
  • Histoires bizarroïdes [Opowiadania bizarne], trans. Maryla Laurent, Lausanne: Les Éditions Noir sur Blanc, 2020.
  • Le tendre narrateur: Discours du Nobel et autres textes [Czuły narrator], trans. Maryla Laurent, Lausanne: Noir sur Blanc, 2020.
  • Jeu sur tambours et tambourins [Gra na wielu bębenkach], trans. Maryla Laurent, Lausanne: Les Éditions Noir sur Blanc, 2023.
  • Le banquet des Empouses [Empuzjon], trans. Maryla Laurent, Lausanne: Les Éditions Noir sur Blanc, 2024.

Galician:

  • A alma perdida [Zgubiona dusza], trans. Ana Garrido Gonzalez, Barcelona: Thule Ediciones, 2019.

Georgian:

  • წიგნები იაკობისანი [Księgi Jakubowe], trans. Katja Wolters, Tbilisi: Intelekti Publishing, 2020.
  • თოჯინა და მარგალიტი [Lalka i perła], trans. Teona Mchedlishvili, Tbilisi: Intelekti Publishing, 2021.
  • შოტლანდიური თვე [Gra na wielu bębenkach], trans. Katja Wolters, Tbilisi: Intelekti Publishing, 2021.

German:

  • Der Schrank: Erzählungen [Szafa], trans. Esther Kinsky, Stuttgart: DVA, 2000.
  • Ur und andere Zeiten [Prawiek i inne czasy], trans. Esther Kinsky, Berlin: Berlin Verlag, 2000.
  • Taghaus, Nachthaus [Dom dzienny, dom nocny], trans. Esther Kinsky, München: DVA, 2001.
  • Spiel auf vielen Trommeln [Gra na wielu bębenkach], trans. Esther Kinsky, Berlin: MSB Matthes & Seitz, 2006.
  • Letzte Geschichten [Ostatnie historie], trans. Esther Kinsky, München: DVA, 2006.
  • Anna In in den Katakomben [Anna In w grobowcach świata], trans. Esther Kinsky, Berlin: Berlin Verlag, 2007.
  • Unrast [Bieguni], trans. Esther Kinsky, Frankfurt: Schöffling, 2009.
  • Der Gesang der Fledermäuse [Prowadź swój pług przez kości umarłych], trans. Doreen Daume, Frankfurt: Schöffling, 2011.
  • Die verlorene Seele [Zgubiona dusza], trans. Lothar Quinkenstein, Zürich: Kampa Verlag, 2019​​​​​​​.
  • Die Jakobsbücher [Księgi Jakubowe], trans. Lisa Palmes, Lothar Quinkenstein, Zürich: Kampa Verlag, 2019.
  • Der liebevolle Erzähler. Vorlesung zur Verleihung des Nobelpreises für Literatur [Czuły narrator], trans. Lisa Palmes, Zürich: Kampa Verlag, 2020.
  • Spiel auf vielen Trommeln [Gra na wielu bębenkach], trans. Esther Kinsky, Berlin: Matthes & Seitz Berlin, 2020.
  • Die grünen Kinder. Bizarre Geschichten [Opowiadania bizarne], trans. Lothar Quinkenstein, Zürich: Kampa Verlag, 2020.
  • Herr Unverwechselbar [Pan Wyrazisty], trans. Lothar Quinkenstein, Berlin: Kampa Verlag, 2023.
  • Empusion [Empuzjon], trans. Lisa Palmes, Lothar Quinkenstein, Berlin: Kampa Verlag, 2023.

Greek:

  • Το Αρχέγονο και άλλοι καιροί [Prawiek i inne czasy], trans. Alexandra Ioannidou, Athina: Kastaniotis, 2017.
  • Πλάνητες [Bieguni], trans. Alexandra Ioannidou, Athina: Kastaniotis, 2020.
  • Τα βιβλία του Ιακώβ [Księgi Jakubowe], trans. Alexandra Ioannidou, Athina: Kastaniotis, 2022.
  • Εμπούσιον [Empuzjon], trans. Alexandra Ioannidou, Athina: Kastaniotis, 2024.

Hebrew:

  • ספרי יעקב ‒ או המסע הגדול דרך שבעה גבולות, חמש שפות ושלוש דתות מרכזיות [Księgi Jakubowe], trans. Miriam Borenstein, Jeruszalajm: Carmel Publishing, 2020.
  • על עצמות המתים [Prowadź swój pług przez kości umarłych], trans. Miriam Borenstein, Tel Awiw: Achuzat Bayit, 2021.
  • נדודים [Bieguni], trans. Miriam Borenstein, Tel Awiw: Achuzat Bayit, 2023.

Hindi:

  • कमरे और अन्य कहानियाँ [Szafa], trans. Mari Skakuj Puri, Naī Dillī: Rajkamal Prakashan, 2014.

Hungarian:

  • Az Őskönyv nyomában [Podróż ludzi Księgi], trans. Zsuzsa Mihályi, Budapest: Európa, 2000.
  • Sok dobon játszani: (19 elbeszélés) [Gra na wielu bębenkach], trans. Lajos Pálfalvi, Zsuzsa Mihályi, Budapest: Napkút Kiadó, 2006.
  • Őskor és más idők [Prawiek i inne czasy], trans. Gábor Körner, Budapest: L’Harmattan, 2011.
  • Nappali ház, éjjeli ház [Dom dzienny, dom nocny], trans. Gábor Körner, Budapest: L’Harmattan, 2014.
  • Bizarr történetek [Opowiadania bizarne], trans. Noémi Petneki, Budapest: Vince Kiadó, 2019.
  • Hajtsad ekédet a holtak csontjain át [Prowadź swój pług przez kości umarłych], trans. Gábor Körner, Budapest: L’Harmattan, 2019.
  • Nyughatatlanok [Bieguni], trans. Hermann Péter, Budapest: L’Harmattan, 2021.
  • Az elveszett lélek [Zgubiona dusza], trans. Viktória Kellermann, Budapest: csiri mojó, 2021.
  • Jakub Könyvei [Księgi Jakubowe], trans. Körner Gábor, Budapest: Vince Kiadó, 2022.
  • Az érzékeny narrátor [Czuły narrator], trans. Hermann Péter, Budapest: L’Harmattan, 2024.

​​​​​​​Italian:

  • Dio, il tempo, gli uomini e gli angeli [Prawiek i inne czasy], trans. Raffaella Belletti, Roma: Edizioni e/o, 1999.
  • Che Guevara e altri racconti [Gra na wielu bębenkach], trans. Silvano De Fanti, Udine: Forum, 2006.
  • Casa di giorno, casa di notte [Dom dzienny, dom nocny], trans. Raffaella Belletti, Roma: Fahrenheit 451, 2007.
  • Guida il tuo carro sulle ossa dei morti [Prowadź swój pług przez kości umarłych], trans. Silvano De Fanti, Roma: Nottetempo, 2012.
  • L’anima smarrita [Zgubiona dusza], trans. Raffaella Belletti, Milano: Topipittori, 2018.
  • I vagabondi [Bieguni], trans. Barbara Delfino, Milano: Bompiani, 2019.
  • Il libri di Jakub [Księgi Jakubowe], trans. Ludmila Ryba, Barbara Delfino, Roma: Romanzo Bompiani, 2023.
  • Il tenero narratore e altri saggi [Czuły narrator], trans. Silvano de Fanti, Roma: Bompiani, 2024.

Japanese:

  • 昼の家、夜の家 [Dom dzienny, dom nocny], trans. Hikaru Ogura, Tokio: Hakusuisha, 2010.
  • 逃亡派 [Bieguni], trans. Hikaru Ogura, Tokio: Hakusuisha, 2014.
  • プラヴィエクとそのほかの時代 [Prawiek i inne czasy], trans. Hikaru Ogura, Kioto: Shoraisha, 2019.
  • 迷子の魂 [Zgubiona dusza], trans. Hikaru Ogura, Tokio: Iwanami shoten, 2020.
  • 優しい語り手  [Czuły narrator], trans. Hikaru Ogura, Koichi Kuyama, Tokio: Iwanami shoten, 2021.
  • 個性的な人 [Pan Wyrazisty], trans. Hikaru Ogura, Tokio: Iwanami Shoten, 2024.

Korean:

  • 잃어버린 영혼 [Zgubiona dusza], trans. Jiwone Lee, Seul: Sakyejul, 2018.
  • B방랑자들l [Bieguni], trans. Estera Czoj (Sungeun Choi), Seul: Minumsa, 2019.
  • 태고의 시간들  [Prawiek i inne czasy], trans. Estera Czoj (Sungeun Choi), Seul: Ŭnhaeng Namu, 2019.
  • 낮의 집, 밤의 집 [Dom dzienny, dom nocny], trans. Okjin Lee, Seul: Minumsa, 2019.
  • 죽은 이들의 뼈 위로 쟁기를 끌어라 [Prowadź swój pług przez kości umarłych] trans. Estera Czoj (Sungeun Choi), Seul: Minumsa, 2020.
  • 다정한 서술자 [Czuły narrator], Estera Czoj (Sungeun Choi), Seul: Minumsa, 2022.

Lithuanian:

  • Praamžiai ir kiti laikai [Prawiek i inne czasy], trans. Vyturys Jarutis, Vilnius: Strofa, 2000.
  • Dienos naimai, nakties namai [Dom dzienny, dom nocny], trans. Vyturys Jarutis, Vilnius: Strofa, 2007.
  • Bėgūnai [Bieguni], trans. Vyturys Jarutis, Vilnius: Lithuanian Writers’ Union Publishers, 2019.
  • Pamesta siela [Zgubiona dusza], trans. Birutė Jonuškaitė, Paris: Odilė, 2020.
  • Jautrusis Pasakotojas [Czuły narrator], trans. Rimvydas Strielkunas, Birute Jonuškaitė, Vyturys Jarutis, Vilnius: Lithuanian Writers’ Union Publishers, 2021.
  • Varyk savo arklą per mirusiųjų kaulus [Prowadź swój pług przez kości umarłych], trans. Vyturys Jarutis, Vilnius: Lithuanian Writers’ Union Publishers, 2021.

Macedonian:

  • Правек и другите времиња [Prawiek i inne czasy], trans. Lidija Tanuševska, Skopje: Makedonska Recz, 2007.
  • Талкачи [Bieguni], trans. Lidija Tanuševska, Skopje: Ili-Ili, 2013.
  • E.E. [E.E.], trans. Lidija Tanuševska, Skopje: Antolog, 2014.
  • Терај си го плугот по коските на мртвите [Prowadź swój pług przez kości umarłych], trans. Lidija Tanuševska, Skopje: Antolog, 2021.
  • Бизарни раскази [Opowiadania bizarne], trans. Lidija Tanuševska, Skopje: Antolog, 2022.

Malayalam:

  • അലഞ്ഞുതിരിയുന്നവര്‍ [Bieguni], trans. Rema Menon, Karela: Green Books PVT LTD, 2020.

Norwegian:

  • E.E. [E.E.], trans. Anne Walseng, Oslo: Cappelen, 2001.
  • Løperne [Bieguni], trans. Aldona Szczepańska, Knopparap: Den Grøne Malen, 2012.
  • Før plogen din over de dødes knokler [Prowadź swój pług przez kości umarłych], trans. Julia Więdłocha, Oslo: Gyldendal, 2019.
  • Bisarre Fortellinger [Opowiadania bizarne], trans. Julia Więdłocha, Oslo: Gyldendal, 2020.
  • Daghus, natthus [Dom dzienny, dom nocny], trans. Julia Więdłocha, Oslo: Gyldendal, 2021.

Portuguese:

  • Viagens [Bieguni], trans. Teresa Fernandes Swiatkiewicz, Lisboa: Cavalo de Ferro, 2019.
  • Conduz o teu arado sobre os ossos dos mortos [Prowadź swój pług przez kości umarłych], trans. Teresa Fernandes Swiatkiewicz, Lisboa: Cavalo de Ferro, 2019.
  • Outrora e outros tempos [Prawiek i inne czasy], trans. Teresa Fernandes Swiatkiewicz, Amadora: Cavalo de Ferro, 2020.
  • A alma perdida [Zgubiona dusza], trans. Teresa Fernandes Swiatkiewicz, Amadora: Fábulas, 2020.
  • Casa de Dia, Casa de Noite [Dom dzienny, dom nocny], trans. Teresa Fernandes Swiatkiewicz, Amadora: Cavalo de Ferro, 2021.
  • Histórias Bizarras [Opowiadania bizarne], trans. Teresa Fernandes Swiatkiewicz, Lisboa: Cavalo de Ferro, 2022.
  • Escrever é muito perigoso: ensaios e conferências [Czuły narrator], trans. Gabriel Borowski, São Paulo: Todavia, 2023.
  • Um senhor notável [Pan Wyrazisty], trans. Gabriel Borowski, São Paulo: Todavia, 2023.
  • Empúsio: Romance de Terror Naturopático [Empuzjon], trans. Teresa Fernandes Swiatkiewicz, Lisboa: Cavalo de Ferro, 2023.

Romanian:

  • Călătoria oamenilor Cărţii [Podróż ludzi Księgi], trans. Constantin Geambaşu, Jassy: Polirom, 2001.
  • Străveacul şi alte vremi [Prawiek i inne czasy], trans. Olga Zaicik, Jassy: Polirom, 2002.
  • Rătăcitorii [Bieguni], trans. Cristina Godun, București: Editura Art, 2012.
  • Casă de zi, casă de noapte [Dom dzienny, dom nocny], trans. Cristina Godun, Cluj-Napoca: Casa Cărţii de Ştiinţă, 2015.
  • Ultimele povestiri [Ostatnie historie], trans. Cristina Godun, Jassy: Polirom, 2018.
  • Poartă-ți plugul peste oasele morților [Prowadź swój pług przez kości umarłych], trans. Cristina Godun, Jassy: Polirom, 2019​​​​​​​.
  • Povestiri bizare [Opowiadania bizarne], trans. Cristina Godun, Iaşi: Polirom, 2020.
  • Empuzion [Empuzjon], trans. Cristina Godun, Iaşi: Polirom, 2024.

Russian:

  • Бегуны [Bieguni], trans. Irina Adelgejm, Moskwa: NLO, 2011.
  • Путь людей книги [Podróż ludzi Księgi], trans. Ksenia Starosielska, Moskwa: AST, 2002.
  • Правек и другие времена [Prawiek i inne czasy], trans. Tatiana Izotova, Moskwa: NLO, 2004​​​​​​​.
  • Дом дневной, дом ночной [Dom dzienny, dom nocny], trans. Olga Katrieczko, Moskwa: AST, 2005.
  • Последние истории [Ostatnie historie], trans. Irina Adelgejm, Moskwa: NLO, 2006.
  • Бегуны [Bieguni], trans. Irina Adelgejm, Moskwa: NLO, 2011.
  • Диковинные истории [Opowiadania bizarne], trans. Irina Adelgejm, Moskwa: EKSMO, 2020.
  • Веди свой плуг по костям мертвецов [Prowadź swój pług przez kości umarłych], trans. Irina Adelgejm, Moskwa: EKSMO, 2020.
  • Книги Якова [Księgi Jakubowe] trans. Irina Adelgeim, Moskwa: EKSMO, 2023.

Serbian:

  • У потрази за Књигом [Podróż ludzi Księgi], trans. Milica Markić, Beograd: Nolit, 2001.
  • Дневна кућа, ноћна кућа [Dom dzienny, dom nocny], trans. Milica Markić, Beograd: Nolit, 2002.
  • Svirka na mnogo bubnjeva [Gra na wielu bębenkach], trans. Milica Markić, Beograd: Nolit, 2004.
  • Beguni [Bieguni], trans. Milica Markić, Beograd: Paideia, 2010.
  • Pamtivek i druga doba [Prawiek i inne czasy], trans. Milica Markić, Beograd: Paideia, 2013.
  • Вуци своје рало по костима мртвих [Prowadź swój pług przez kości umarłych], trans. Milica Markić, Beograd: Nowy Sad, 2014​​​​​​​.
  • Knjige Jakovljeve [Księgi Jakubowe], trans. Milica Markić, Beograd: Paideia, 2017.
  • Beguni [Bieguni], trans. Milica Markić, Beograd: Paideia (JP Službeni glasnik), 2019.
  • Izgubljena duša [Zgubiona dusza], trans. Milica Markić, Beograd: Paideia (JP Službeni glasnik), 2020.
  • Ana In silazi u Donji svet [Anna In w grobowcach świata], trans. Milica Markić, Beograd: Paideia (JP Službeni glasnik), 2020.
  • Bizarne priče [Opowiadania bizarne], trans. Milica Markić, Beograd: Paideia (JP Službeni glasnik), 2021.
  • Blagi Pripovedač [Czuły narrator], trans. Milica Markić, Beograd: Paideia (JP Službeni glasnik), 2022.

Slovak:

  • Dom vo dne, dom v noci [Dom dzienny, dom nocny], trans. Karol Chmel, Bratislava: Aspekt, 2002.
  • Hra na mnohých bubienkoch [Gra na wielu bębenkach], trans. Karol Chmel, Bratislava: Drevo a srd, 2003.
  • Anna In v hrobkách sveta [Anna In w grobowcach świata], trans. Karol Chmel, Bratislava: Slovart, 2008.
  • Pravek a iné časy [Prawiek i inne czasy], trans. Karol Chmel, Bratislava: Premedia, 2015.
  • Cez kosti mŕtvych pluh svoj veď [Prowadź swój pług przez kości umarłych], trans. Karol Chmel, Bratislava: Premedia, 2023.
  • Empúzion [Empuzjon], trans. Karol Chmel, Bratislava: Premedia, 2023.
  • Putovanie l’udi Knihy [Podróż ludzi Księgi], trans. Karol Chmel, Bratislava: Premedia, 2024.

Slovenian:

  • Dnevna hiša, nočna hiša [Dom dzienny, dom nocny], trans. Jana Unuk, Ljubljana: Društvo Apokalipsa, 2005.
  • Pravek in drugi časi [Prawiek i inne czasy], trans. Jasmina Šuler-Galos, Maribor: Študentska založba Litera, 2005.
  • Beguni [Bieguni], trans. Jana Unuk, Ljubljana: Modrijan, 2010.
  • Pelji svoj plug čez kosti mrtvih [Prowadź swój pług przez kości umarłych], trans. Jana Unuk, Ljubljana: Cankarjeva založba, 2014.
  • Jakobove bukve [Księgi Jakubowe], trans. Jana Unuk, Vnanje Gorice: Kulturno-umetniško društvo Police Dubove, 2017.
  • Bizarne zgodbe [Opowiadania bizarne], trans. Jana Unuk, Ljubljana: Cankarjeva založba, 2020.
  • Pozorni pripovedovalec [Czuły narrator], Jana Unuk, Ljubljana: Lud Literatura, 2022.
  • Ana in v grobnicah sveta [Anna In w grobowcach świata], trans. Jana Unuk, Ljubljana: Kulturno-umetniško društvo Police Dubove, 2022.
  • Popotovanje ljudi Knjige [Podróż ludzi Księgi], trans. Jana Unuk, Ljubljana: LUD Literatura, 2024.

Spanish:

  • Un lugar llamado Antano [Prawiek i inne czasy], trans. Ester Rabasco Macías, Bogumiła Wyrzykowska, Barcelona: Lumen, 2001.
  • Sobre los huesos de los muertos [Prowadź swój pług przez kości umarłych], trans. Abel Murcia Soriano, Mexico: Editorial Oceano de Mexico, 2015.
  • El alma perdida [Zgubiona dusza], trans. Xavier Farré Vidal, Barcelona: Thule Ediciones, 2019.
  • Los errantes [Bieguni], trans. Agata Orzeszek, Barcelona: Anagrama, 2019.
  • Tiendo Narrador [Czuły narrator], trans. Liliana Garciá Urmeneta, Santiago de Chile: Al fragor ediciones, 2021.
  • Los libros de Jacob [Księgi Jakubowe], trans. Agata Orzeszek Sujak, Ernesto Rubio, Barcelona: Editorial Anagrama, 2023.

Swedish:

  • Spel på många små trummor [Gra na wielu bębenkach], trans. Jan Henrik Swahn, Tollarp: Ariel, 2002.
  • Daghus, natthus [Dom dzienny, dom nocny], trans. Jan Henrik Swahn, Tollarp: Ariel, 2005.
  • Gammeltida och andra tider [Prawiek i inne czasy], trans. Lennart Ilke, Tollarp: Ariel, 2006.
  • Loparna [Bieguni], trans. Jan Henrik Swahn, Tollarp: Ariel, 2009.
  • Styr din plog över de dödas ben [Prowadź swój pług przez kości umarłych], trans. Jan Henrik Swahn, Tollarp: Ariel, 2010.
  • Björnens ögonblick [Moment niedźwiedzia], trans. Jan Henrik Swahn, Linderöd: Ariel, 2014.
  • Jakobsböckerna [Księgi Jakubowe], trans. Jan Henrik Swahn, Tollarp: Ariel, 2015.
  • Empusion [Empuzjon], trans. Jan Henrik Swahn, Stockholm: Alber Bonniers Förlag, 2023.

Turkish:

  • Gündüzün evi, gecenin evi [Dom dzienny, dom nocny], trans. Anna Polat, İstanbul: Grikedi, 2004.
  • Koşucular [Bieguni], trans. Neşe Taluy Yüce, Ankara: Alabanda Yayınları, 2016.
  • Aç Gözünü Artık Yaşamıyorsun [Gra na wielu bębenkach], trans. Neşe Taluy Yüce, İstanbul: Kalem Kültür Yayınları, 2018.
  • Sür Pulluğunu Ölü Kemikleri Üzerinden [Prowadź swój pług przez kości umarłych], trans. Neşe Taluy Yüce, İstanbul: Timaş Yayın Evi, 2021.
  • Kadimzamanlar ve Diger Vakitler [Prawiek i inne czasy], trans. Neşe Taluy Yüce, İstanbul: Timaş Yayınevi, 2021.
  • Son Hikâyeler [Ostatnie historie], trans. Neşe Taluy Yüce, İstanbul: Timaş Yayınevi, 2021.

Ukrainian:

  • Гра на багатьох барабанчиках [Gra na wielu bębenkach], trans. Wiktor Dmitruk, Lwiw: Litopis, 2004.
  • Mandirka ljudej knigi [Podróż ludzi Księgi], trans. Nina Biczuja, Lwiw: Litopis, 2004.
  • Правік та інші часи [Prawiek i inne czasy], trans. Wiktor Dmitruk, Lwiw: Kalwarja, 2004.
  • Останні історії [Ostatnie historie], trans. Jarina Sencziszin, Lwiw: Litopis, 2007.
  • Бігуни [Bieguni], trans. Ostap Sływynski, Charkiw: Folio, 2011.
  • Веди свій плуг понад кістками мертвих [Prowadź swój pług przez kości umarłych], trans. Bożena Antoniak, Lwiw: Urbino, 2011​​​​​​​.
  • Книги Якова [Księgi Jakubowe], trans. Ostap Sływynski, Kijew: Tempora Publishing House, 2020.
  • Бігуни [Bieguni], trans. Ostap Sływynsky, Lwiw: Tempora, 2020.
  • Химерні оповідання [Opowiadania bizarne], trans. Wiktor Dmitruk, Lwiw: Tempora, 2020.
  • Дім дня, дім ночі [Dom dzienny, dom nocny], tłum: Wiktor Dmitruk, Lwiw: Tempora, 2021.
  • E. [E.E.], trans. Ostap Sływynsky, Lwiw: Tempora, 2022.
  • Шафа [Szafa], trans. Wiktor Dmitruk, Lwiw: Tempora, 2022.
  • Момент ведмедя [Moment niedźwiedzia], Wiktor Dmitruk, Lwiw: Tempora, 2022.
  • Емпусіон [Empuzjon], trans. Ostap Sływynsky, Lwiw: Tempora, 2023.

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