(1969) – writer, reporter. In the period 1990–2019, Wojciech Tochman wrote reports and columns for “Gazeta Wyborcza” (mainly for the “Duży Format” supplement). For…
View profile(b. 1966) – an author of detective novels and a former academic (classical philology). One of the most frequently translated Polish contemporary writers.
To a large degree, Krajewski caused the rebirth of the Polish detective novel in the twenty-first century and made the retro mystery novel the dominant subgenre for about a decade. All of this came from a series of novels about German policeman Eberhard Mock, beginning with ‘Śmierć w Breslau’ (Death in Breslau, 1999). The series swiftly became a bestseller. Krajewski’s novels nimbly connected elements of noir mystery, mainly in the spirit of Raymond Chandler, and the ‘small homeland’ prose. The main protagonist of the series is straight from Chandler. Mock is an equivocal man, torn between good and evil, prey to numerous addictions, yet sympathetic, mainly because he is true to his code of values. The author returned to detective noir with ‘Koniec świata w Breslau’ (End of the World in Breslau, 2003), which again boasts a dark, suffocating atmosphere. The small homeland prose is visible in the pre-war and wartime images of Breslau (Festung Breslau, 2006), a city irreversibly destroyed by ‘history unleashed’.
Krajewski very swiftly developed his own approach to the retro mystery novel, then went on to use it in further books. His trademark became unusual intrigues built around sex-related crimes or the illicit activities of more or less secret societies.
After the Mock series wrapped up, Krajewski began writing another detective series, whose main protagonist is Commissioner Edward Popielski. The action takes place in pre-war Lwów, and in later parts of the series, in post-war Wrocław as well (Krajewski’s protagonists join forces in the novel ‘Głowa Minotaura’ [Head of the Minotaur], 2009). Popielski is similar to Mock. Like the policeman from Breslau, he loves Latin, chess, stiff drinks and good food, he spends time in the company of prostitutes, and in his investigations he pays little attention to police protocol, playing by his own rules.
Krajewski has also co-written books. He has written two contemporary detective novels with Mariusz Czubaj: ‘Aleja samobójców’ (Suicide Avenue, 2008) and ‘Róże cmentarne’ (Cemetery Roses, 2009). These are part of a series whose protagonist is an officer from Gdańsk, Chief Inspector Jarosław Pater, a dauntless lover of jazz and football and a linguistic purist. These novels join elements found in the writing of both authors, such as multi-layered intrigue, a series of dark crimes, care for a precise and compelling description of the city space, humour and irony. ‘Umarli mają głos. Prawdziwe historie’ (The Dead Can Speak: True Stories, 2015) is a collaboration between Krajewski and the famous pathologist and expert witness Jerzy Kawecki. It is made up of twelve pieces the author calls ‘reportage stories’, fictionalised accounts of complex, difficult cases to which the pathologist has contributed in his decades of work.
Krajewski has taken the Grand Calibre Award (2003) and the Polityka Passport (2005), among other prizes.
Bulgarian:
Croatian:
Czech:
Danish:
Dutch:
English:
French:
German:
Greek:
Hebrew:
Hungarian:
Italian:
Lithuanian:
Macedonian:
Norwegian:
Romanian:
Russian:
Slovak:
Spanish:
Swedish:
Turkish:
Ukrainian: