(b. 1955) – a theatre scholar, poet, essayist and writer. He made his debut in 1972, with the poem ‘Zamknięte drzwi’ (‘Closed Doors’) published…
View profile(b. 1953) – a Catholic priest, poet, essayist, philosopher and theologist, academic instructor, and translator from French and Latin. He hails from Podlachia.
In 1977, he graduated in Polish studies from the Białystok branch of the University of Warsaw, in 1984 he entered the priesthood. He took his PhD in 1991, and his habilitation – at the Cardinal Stefan Wyszyński University – in 1999, becoming Humanities Professor in 2005. He lectured in Polish literature and the history of philosophy at Warsaw’s Higher Metropolitan Holy Seminary and Papal Theological Faculty. In the late 1980s, he began working with Catholic radio stations and Polish Radio, as well as Polish Television. He published in a host of periodicals, including Przegląd Katolicki, Nowe Książki, Więź, Zeszyty Literackie and Topos. He is editor-in-chief of the yearly Studia z filozofii Boga, religii i człowieka.
He made his debut as a poet – with the New Privacy generation – in 1974 in Poglądy, and went on to publish more than twenty volumes of poetry, including ‘Aby powtarzać świat’ (To Repeat the World, 1975), ‘Wszystkie zmysły miłości’ (All the Senses of Love, 1997), ‘Rozczesuję Twoje włosy, matko’ (I Comb Your Hair, Mother, 2005), ‘Intencje codzienne’ (Daily Intentions, 2009), ‘Powtórzenie raju’ (A Repetition of Paradise, 2010), ‘Sandały i pierścień’ (Sandals and Ring, 2015) and ‘Nie pocieszaj się, tylko płacz’ (Don’t Take Comfort, Just Weep, 2022).
Sochoń swiftly achieved aesthetic maturity and an independent world view. He became the key figure in a phenomenon remarkable on a world scale: artistically outstanding poetry by Catholic priests in Poland after World War II (examples include Jan Twardowski, Karol Wojtyła and Janusz S. Pasierb). He penned reflective lyrics, holding a dialogue with the great religious and artistic traditions of Western civilization, drawing from his philosophical and theological erudition. His poems are dominated by wisdom and calm, they are emotionally restrained, logically constructed and semantically clear. He also shows the dark side of human existence, but ultimately defends the order and purpose of God-created universal existence. Jan Sochoń’s poetry describes the mystery of reality, sometimes verging on mysticism.
As an essayist, critic and philosopher he has continued classical philosophical thought, exploring the man–Absolute relationship in terms of metaphysical realism and analysing the language in which this relationship is expressed. He grasps philosophy as a hermeneutic process involving the creative interpretation of the eternal basic problems. He has also explored atheism in a historical and cultural context. In his discursive writing he tries to join philosophy, art and literature from the perspective of a Christian lifestyle and thought.
His poems have been translated into English, Croatian, Czech, German, Russian and Ukrainian, among others.
Jan Sochoń is a member of the Polish Writers’ Association, PEN Club, Polish Philosophy Society, the KUL Academic Society and the Polish Thomas of Aquinas Society. He has received the Feniks Catholic Publishers’ Association Prize (2003) and the Polish Franciszek Karpiński Award (2004). For Daily Intentions he was nominated for the Nike Literary Award (2010), and for Don’t Take Comfort, Just Weep (2022), he was nominated for the K. I. Gałczyński Orfeusz Award (2023).
poetry:
prose:
popular science books:
translation works:
Ukrainian: