(b. 1967) – poet, biographer, feature writer, editor. Graduated in Polish studies, and for a short time studied philosophy at the Jagiellonian University. He…
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The Book Institute offers translation of excerpt from Jan Kott’s work in Hebrew. Interested parties are kindly invited to contact us.
(1914–2001) – a prose writer, poet, translator, literary and theatre critic, and exponent of the Polish essay school.
He began his creative work after World War II as a writer closely connected to the communist authorities, an editor of the weekly Kuźnica, teoretyk i kodyfikator literatury socjalistycznej, filling the requirements of a Marxist approach to art. He did not become an enthusiast of Socialist Realism, however. He joined György Lukacs in lauding a model of ‘great realism’, by which the literature of ‘new Poland’ was to draw from Charles Dickens, Honoré de Balzac, Stendhal and Lev Tolstoy. Over time, Kott was pushed to the margins of political life, and he backed out of the Communist Party in 1957.
Jan Kott was an active theatre reviewer, famous for his new readings of the classics, above all William Shakespeare. ‘Szkice o Szekspirze’ (Sketches on Shakespeare), in which he interpreted the Elizabethan playwright through the philosophical, existential and political experiences of the twentieth century, was surely his most popular book of literary criticism. His personal writing, stories drawn from his own highly colourful biography, are another ongoing feature of his work. He juxtaposed Shakespeare with Ionesco and Beckett, but above all, with the everyday lives of people living in totalitarian countries. Kott applied a similar method to reading Greek tragedy and showing its modernity. The dramas of Aeschylus or Sophocles were, from this perspective, records of a universal experience: the cruelty of fate, a refusal to consent to the world and its rulers: gods and kings. For Kott, theatre was always more than just one of the arts – it stood in for human life, the workings of the world. At the end of his life, his work became filled with deep reflections and thoughts on art and human behaviour and increasingly focused on personal experiences, as in ‘Powiastki dla wnuczek’ (Tales for My Granddaughters). His last books are full of warmth, humour, and nostalgia, and show off his remarkable ability to see the beauty in simple, everyday moments.
In 1966, he immigrated to the United States, where he lectured at Yale University and the University of California in Berkeley. After departing for the West, he systematically published books and articles in such American journals as The New Republic, Partisan Review and The New York Review. Alongside the aforementioned themes, his sketches looked at Japanese theatre, the work of Peter Brook, Tadeusz Kantor and Jerzy Grotowski. He also contributed to London’s Wiadomości. At the end of his life he published in Tygodnik Powszechny and Zeszyty Literackie. He was the translator of numerous works of prose and dramas, including Jean-Paul Sartre, Denis Diderot, Eugène Ionesco and Molière. The Jan Kott Archive is found at the Archive of Emigration at the Library of the University of Toruń.
He was the winner of many distinctions and awards, including: the Gold Service Cross (1946), the Cross of Valour (1945), the American George G. Nathan Award for best theatre critic of the year (1985), the award of the Theatre Critics’ Section of the Polish ITI (International Theatre Institute) Centre for ‘Zjadanie bogów’ (Devouring the Gods, 1988).
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