(1934-2021) – lawyer, journalist, writer, one of Poland’s most eminent columnists. A 1955 law graduate at the Jagellonian University. He worked at the editorial…
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The Book Institute offers translations of excerpts from Hanna Krall’s works in the following languages: French and Swedish. Interested parties are kindly invited to contact us.
(b. 1937) – a prose writer, reporter and journalist.
She is a graduate in journalism from the University of Warsaw. She has worked with Polityka weekly magazine, among others, specialising in reportage that depicts the fates of seemingly average people. Soon she began to be attracted by the forgotten Jewish world she was describing, calling attention to apparently minor details and using a spare language and her own technique of shorthand reportage.
Her first book on the Holocaust was reportage, ‘Zdążyć przed Panem Bogiem’ (To Steal a March on God), which came from her conversations with Mark Edelman, one of the leaders of the Warsaw Ghetto Rising. This book is not just a story of the ghetto, its liquidation and the armed insurrection of a handful of people; we also get to know Edelman as a cardiologist who was always fighting for his patients’ survival. Krall breaks down the convention of heroic stories, foregrounding the doctor’s self-effacing approach and nonchalance towards his own courage.
‘Sublokatorka’ (The Subtenant), in turn, is a mini-novel, a half-autobiographical story of two women, a Jew and a Pole, who met when little Marta was hidden at Maria’s house during the war. Describing their relationship, the author plays with the reader, sets up red herrings, splits the fortunes of the protagonists in a self-effacing manner, as, in her own words, she would not have grand words obscure the truth.
The same principle holds true in her other works of prose, such as ‘Okna’ (Windows), ‘Wyjątkowo długa linia’ (An Exceptionally Long Line) or ‘Biała Maria’ (White Maria). Windows details the times of Martial Law and the trial over the murder of Grzegorz Przemyk. An Exceptionally Long Line presents the history of a Lublin block of flats and its inhabitants: the poet Franciszka Arnsztajnowa, her husband and son who fought in the Legionnaires, and their friend Józef Czechowicz. White Maria, in turn, is the story of a Polish married couple who, during the occupation, promised to become godparents of a little Jewish girl, but broke their promise, claiming they could not defy a commandment: ‘Thou shalt not bear false witness…’ The narrative breaks off, turning into fragments of a story, joined by the painful absence of the people who died and the fragility of their fates.
Her latest book, ‘Jedenaście’ (Eleven), is called a reporter’s diary; it sometimes drifts into poetry. It is made up of micro-stories that span the trauma of the Holocaust, the war in Ukraine and the refugee crisis on the Polish/Belarus border. A certain journalistic ritual is important here, which measures time according to the day her husband died.
Hanna Krall’s reportage has also appeared in book form, including ‘Hipnoza’ (Hypnosis) and ‘Taniec na cudzym weselu’ (Dancing at Someone Else’s Wedding). Wydawnictwo Literackie Publishers has also released her collected pieces in one volume: ‘Fantom bólu. Reportaże wszystkie’ (Phantom Pain: Collected Reportage).
Filmmakers and theatre directors have adapted her work. She worked with Krzysztof Kieślowski on The Decalogue, and Jan Jakub Kolski based ‘Daleko od okna’ (Far from the Window) on her writing. Krzysztof Warlikowski has used her work in such plays as: ‘Dybuk’ (The Dybbuk), ‘Odyseja’ (The Odyssey), ‘Historia dla Hollywoodu’ (A Story for Hollywood) and (A)pollonia.
Hanna Krall has won many awards, including the Cultural Solidarity Award, the Herder Award, the Julian Tuwim Literary Award and the Władysław Reymont Literary Award. She received the Angelus Central European Literary Award for ‘Król kier znów na wylocie’ (Chasing the King of Hearts).
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