(b. 1992) – a poet and translator. He studied law at the University of Szczecin and graduated in philosophy from the Jagiellonian University. He…
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The Book Institute offers translations of excerpts from Ewa Lipska’s works in the following languages: Dutch, Hebrew, Italian, Russian and Turkish. Interested parties are kindly invited to contact us.
(b. 1945) – a poet.
Ewa Lipska is one of the most important Polish contemporary poets. She made her debut in 1961 with poems published in Gazeta Krakowska, and her first volume of poetry, ‘Wiersze’ (Poems), came out in 1967. In 1970–80 she worked as an editor in the poetry department of Wydawnictwo Literackie Publishers in Krakow, while also working on her own poetry. In 1991, she set off for Vienna, where she served as Polish Ambassador in Austria. She is a member of the Polish and Austrian PEN Clubs.
From her debut to her latest books, Ewa Lipska has written in her characteristic, recognizable style and range of motifs. At the same time, her poetry is always fresh. The thematic concerns of her poems gradually broaden, and her images based on paradoxes, breaking apart worn turns of speech and unexpected metaphors, always gives us a new look at the world and our relationships with others, helping us name the eternal emotions and anxieties in an innovative way.
Her relationship to language – her mistrust for the abuses of public discourse, combined with a consciousness of its power as a precise tool of analysis, exposing reality for what it is – connects Lipska to other New Wave poets of her generation (Ryszard Krynicki, Stanisław Barańczak, Adam Zagajewski, Julian Kornhauser). She also shares with them a rejection of ideologised culture and a sensitivity to the language of propaganda, of communist Newspeak. Some of her poems of the 1970s have a clear political subtext, while ‘Przechowalnia ciemności’ (Darkness Storage, 1985) was released through the underground press, as its critical tone toward the times of Martial Law, though expressed with Lipska’s trademark detachment, was unacceptable to the censors of the day.
Lipska has followed her own individual path. ‘Her subjects are existential anxieties, nightmares, sickness, madness. The tone is calm, matter-of-fact, sometimes ironic. The style is precise and forceful’, wrote the great critic Jerzy Kwiatkowski upon the release of Lipska’s ‘Drugi zbior wierszy’ (Second Collection of Poems, 1970). The motif of sickness, constant threat, enduring on the brink of life and death, which was tied to her personal experience, resounds in Lipska’s early poems with special power. At the same time, Lipska was and is a poet of love, though she writes of it discreetly, detached, and utterly devoid of sentimentality.
Lipska’s poetry takes the perspective of the individual experience to insightfully diagnose the present, the crossroads of mass culture, the pitfalls of civilisation. Over a dozen volumes of poems and prose poetry in the last two decades create an astonishing panorama of the world at the turn of the millennia. And in the centre there is always that aloof, somewhat alienated, somewhat ironic, yet sensitive observer. She experiences a sense of passing and often returns to the past, though not as a safe harbour, because Arcadia never existed, and she never was innocent.
Lipska’s work has often been used by musicians as song lyrics. Her poems have been sung by Marek Grechuta, Grzegorz Turnau and Anna Szałapak. Publications of her lyrics have been released with sheet music.
Ewa Lipska has won many prestigious awards in Poland, including the Kościelski Foundation Award (1973), the Polish PEN Club Award (1992), the A. Jurzykowski Foundation Award (1993) and the Gdynia Literary Award (2011). She has been nominated several times for the Nike Literary Award: in 2004 for ‘Ja’ (I), in 2020 for ‘Miłość w trybie awaryjnym’ (Love as a Matter of Urgency) and in 2024 for her prose, ‘Wariacje Geldbergowskie’ (The Geldberg Variations). She has also received numerous distinctions abroad, including the Serbian Zlatni ključ Smedereva poetry prize (2009), the Macedonian Naim Frashëri poetry award (2010) and the European Atlas of Lyrics Award (2014). In 2005 she received the Silver Gloria Artis Medal for Service to Culture.
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