(b. 1980) – a prose writer, photographer and the son of documentary filmmaker Marcel Łoziński. He made his literary debut with ‘Płacz Watermana’ (‘Waterman’s…
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The Book Institute offers translations of excerpts from Adam Zagajewski’s works in the following languages: Chinese, Croatian, Italian, Lithuanian, Romanian and Russian. Interested parties are kindly invited to contact us.
(1945–2021) – poet, essayist and prose writer.
Adam Zagajewski made his debut in the late 1960s, co-founding a poetic group called “Nowa Fala” (New Wave), which opposed the distortion of reality and the appropriation of language by communist ideology and propaganda. Collaborating with Julian Kornhauser, he wrote the literary manifesto of the New Wave, an essay collection titled “Świat nie przedstawiony” (The World Not Presented, 1974). It criticised literature that avoids contact with reality, fails to serve the community and overuses allegory. A phrase from one of Zagajewski’s poems, “Tell the truth, that’s what you serve”, became a slogan of the era.
In the 1970s, like other New Wave poets, especially Stanisław Barańczak and Ryszard Krynicki, Zagajewski was involved in the activities of the democratic opposition. At the same time, his writing was moving away from the New Wave sentiment. The essay collection “Solidarność i samotność” (Solidarity and Solitude, 1986), published in Paris, where Zagajewski moved for personal reasons a year after the introduction of martial law, reveals a significant shift in emphasis. Identification with the community had become less important; the new focus was on solitary spiritual exploration, contemplation of the real world and the world of art, and journeys, acting as stages of initiation. The subsequent poetry collections, starting with “Jechać do Lwowa” (Going to Lviv), bring wonderful epiphanies, records of almost mystical experiences resulting from the careful and sensitive observation of nature, people, architecture and paintings, as well as from listening to music and reading the works of many generations of philosophers and poets.
The title of this volume, taken from one of the poems, points to another important trope in Zagajewski’s poetry: that of the lost “little homeland”. The Zagajewski family hailed from Lviv, a multi-ethnic city that was an important centre of Polish culture for several centuries; after World War II, the city found itself within the borders of the Soviet Union, and is now in Ukraine. Zagajewski himself was born there in 1945, but when he was just a few months old, he and his family moved to Gliwice in Upper Silesia. For Zagajewski, the memory of Lviv, kept alive in the family home, has nothing to do with resentment over the city’s repossession, but serves to construct the myth of an ideal city, a private Jerusalem, and an exiled poet who is eternally in transit.
Zagajewski was a poet of delight, enchantment and affirmation, who also addressed basic existential questions. In his later books, he penned moving elegies in which he entered into dialogue with his deceased parents and bid farewell to departing friends. He was a defender of ardour; of seriousness that does not preclude humour; and of a high style that avoids pathos. In this way, he was like Czesław Miłosz, a friend of his whom he greatly admired. The American poet C. K. Williams writes of Zagajewski’s “astonishing talent for metaphors”, and the Caribbean Nobel Prize winner Derek Walcott praises the “secular sanctity” of his works, describing them as having a “purposiveness of the missal”. His works are always more than the sum of their parts – what matters is their internal structure, the recurrence of threads and the relationships between them. The universalism of Zagajewski’s poetry was confirmed in exceptional circumstances – following the events of 9/11, “The New Yorker” reprinted his poem “Spróbuj opiewać okaleczony świat” (Try to Praise the Mutilated World). The editors of the magazine felt that this poem, although written before the tragedy, struck the most appropriate tone.
Zagajewski was the recipient of numerous Polish and foreign awards, including the Kościelski Award, the Heinrich Mann Prize, the Jan Parandowski Polish PEN Club Award, and the Princess of Asturias Award. He was made a Knight of the Legion of Honour in France and a Knight of the Order of the Pour le Mérite in Germany. He won the Vilenica International Literary Prize, the Tomas Tranströmer Poetry Prize, the Neustadt International Prize for Literature, and the Zhongkun International Poetry Prize. He also received the Commander’s Cross of the Order of Polonia Restituta and the Gold Gloria Artis Medal for Merit to Culture.
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